Twotall

Question: Who was the person Poirot saw wearing the white dressing gown? And why did this person place it in his compartment? To plant "red herrings" like these do not draw attention away from the people on the train, but tells Poirot plain and simple that the murderer did NOT leave the train, but it still on board. So why bother doing it at all, as it only goes against their carefully planned cover story?

Twotall

Chosen answer: They planted this red herring not to divert Poirot's attention away from them - they were the only passengers on the train - they wanted to divert him from the fact that they were ALL involved in the murder, because they all had a common bond with the child whom the victim murdered. Each one made out like they didn't really know anyone else on the train, but they were all in on it.

Kimberly Klaus

Continuity mistake: When Mr. Hardman is interviewed by Poirot, he states "I'm not a theatrical agent," while gesturing with his right hand. The angle changes to show Mr. Hardman from the front, and both his arms are suddenly on the armrests of his chair.

Twotall

Continuity mistake: When Poirot and Mr. Ratchett first meet in the restaurant car, Poirot has to correct Ratchett's pronunciation of his name. Poirot then points with his right hand toward Ratchett, but when it cuts to a close-up of Poirot, both his hands are on the table. The angle changes back, and Poirot's hand is once again lifted.

Twotall

Continuity mistake: In one of the flashback scenes, as the drugs start working on Mr. Ratchett, in a close-up he is holding the last anonymous letter in both hands. Ratchett then removes his glasses with his right hand, and places that hand on his forehead. Back to a close-up of the letter and the letter is in both hands, but when it cuts he is holding the letter with only his left hand again.

Twotall

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