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Sabra - S3-E4

Continuity mistake: Mark tells Frank that one day the time will be right, and Frank is standing with his arms down at his side. Then in the next shot, his right arm is up more, with his hand propped on The Box on the table. (00:13:49)

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Sabra - S3-E4

Continuity mistake: When Mark tells Frank that they are arresting people over putting his art on walls, Frank drops the photo he is holding into The Box on the table. Then, a couple of shots later, it's suddenly in his hand again. (00:13:40)

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Sabra - S3-E4

Continuity mistake: When Frank and Mark are talking about Frank's painting, there's a shot from behind Frank where he is looking directly at Mark. Then, in the next shot, he's got his head turned, looking at the painting. (00:12:50)

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Now More Than Ever, We Care About You - S3-E1

Continuity mistake: When Caroline and Juliana are shooting cans, Caroline says alike about Juliana dying in the other Trudy's world, and Trudy dying in Juliana's world. In the side view, Juliana is looking more forward but with her eyes cast down as she listens. Then, in the next shot from further away, Juliana is now looking directly at Caroline with her head turned. (00:16:54)

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Detonation - S2-E9

Continuity mistake: In the flashback when Ed and Juliana are talking at the picnic table, there is a bottle of beer on the table in front of Ed. The bottle is turned so the label is partially facing Ed but angled between him and Juliana. It moves around in a few shots and also at some points is turned so the label is nearly fully facing Ed. (00:30:02)

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Detonation - S2-E9

Continuity mistake: When Frank and Ed are talking and Frank gives Ed his share of the Yakuza money, the way Frank is standing keeps changing between shots. From the front, he is standing at an angle, his body facing the bookcase but his head turned to Ed. Then, from behind, Frank is fully turned to be facing Ed. (00:32:34)

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Travelers - S2-E3

Continuity mistake: When Frank tells Edd, "This whole city stinks and the pons," he turns his head to the side, looking away off to the right. Then, the camera changes angles; he's looking straight ahead. (00:08:00)

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