Onesimos

13th Jun 2005

General questions

Some films were shot in areas where there are so-called "right-to-work" laws or not supported by the Screen Actors Guild (SAG). Why do some productions do not want to be associated with SAG or labor laws?

Onesimos

Chosen answer: Because it is cheaper to use the non-union workers.

pross79

13th Jun 2005

General questions

How does one define a "blockbuster"?

Onesimos

Chosen answer: The term originated with the premire of "Jaws" because the lines for the theaters were around the corners, hence the term "blockbuster". Now, movies with huge fan followings (such as "Star Wars") or those with extreme media coverage and the potential to gross over $100 million (such as "The War of the Worlds") are immediately considered blockbusters.

weetie21

17th Jan 2005

General questions

Some people (through correcting some goofs) state that it is illegal for film producers to imitate U.S. military officers (in use of medals, insignia, where they are arranged, etc.) in their films. What civil or military code states this?

Onesimos

Answer: There is no law that says that a movie has to have permission from the military to use their uniforms, or any punishment if they are wrong. A long time urban myth.

stiiggy

17th Jan 2005

General questions

Since film preservation is required for old films, why is the film material very fragile?

Onesimos

Chosen answer: Film contains chemical substances which deteroriate and "bleed out" over time. When this happens, the picture is washed out; even to the point where it is unrecoverable. Preservations means transferring the picture from the old film (which in the old days were flamable) onto a new media (digital nowadays), frame by frame.

17th Jan 2005

General questions

Why is it so significant that a film in the ending credits mention that animals were neither harmed or killed during production?

Onesimos

Chosen answer: Because people tend to care about that sort of thing. While it can be safely assumed that filmmakers aren't going to inflict actual harm on human beings during the making of their films (intentionally, anyway - James Cameron notwithstanding), it's something more of an open question as to whether the same hesitation would apply in the case of an animal. As such, the relevant organisations tend to monitor the film production process for evidence of such cruelty - the notice at the end of the film simply certifies that those organisations are satisfied that nothing along those lines occurred. As such, any animal-lovers who might be watching the film won't feel the need to phone up and complain.

Tailkinker

17th Jan 2005

General questions

In film production, there are different levels of producers from "producer" "co-producer," "executive producer," and even "executive co-producer." What is a producer, and what separates the different levels?

Onesimos

Chosen answer: A producer is the person responsible for acquiring money to make a film. They talk to investors and deal with the studios for big films, or sometimes have invested their own money on smaller films. They are basically the business end of filmmaking, while the director and on-set crew are the creative side. The executive producer is head producer; the buck stops with him. Other producers work under him just like in any company, and there are various "co-producers" or "associate producers" that sometimes have little or nothing to do with the film itself. Sometimes it's someone who just writes a check or gives money to the production. IIRC, in the film "State and Main" they offered the mayor of the town they were shooting in an Associate Producer credit if he allowed the town hall to stay open late for them, or something to that extent. So someone credited as a "producer" can be a huge part of the production, or essentially have nothing at all to do with it.

Krista

17th Jan 2005

General questions

I am aware that different aspect ratios were used by studios since the early 1950s, but why is it that dramatic or action films are usually shot in 2.35:1, while comedies are usually shot in 1.78:1?

Onesimos

Chosen answer: The correct ratio's actually 1.85:1 (1.78:1 is 16:9, which is what's used for home widescreen). The simple answer is that 2.35:1 (cinemascope) gives a broader picture, ie. more screen space to work with, which lends itself better to more visual presentations, be they action-packed or period dramas. Cinemascope is also more expensive, so lower-budget films will opt for the more regular format. I'd also argue that your generalisations are incorrect - just looking at the technical specifications for the first two films I thought of on the IMDb, 21 Grams was shot in 1.85:1, while Dodgeball was shot in 2.35:1.

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