A Few Good Men

Other mistake: When Danny, Sam and Jo arrive on Guantanamo Bay Naval base, they are met by the driver who recommends they put on camouflage jackets so their dress whites won't be spotted by Cuban snipers distinguishing them as high ranking targets.They comply and as you see them drive away, right there on the top of their heads, bright white dress hats can be seen clear as day. While it's against regulations to remove hats outside, it's also against regulations to cover dress whites, so a half-assed measure is an odd choice.

Continuity mistake: When Daniel and Sam first meet Dawson and Downey, Sam asks Dawson about the shooting across the defense line into Cuba. As he asks the question, the camera view is from the side and he crosses his arms. The next shot in front of him and his arms are by his side.

Continuity mistake: When Danny asks for his bat and Jo (Demi Moore)says she put it in the closet, her elbows are on the table with her hands clasped. She then breaks them and puts the right one on the table. The next shot shows her and Danny and her elbows are on the table again with her hand clasped.

Continuity mistake: At the end of the arraignment there is a full view of the courtroom and Jo is standing on an angle looking at Danny. The next shot is from the front of them and she's standing straight square at the table.

Continuity mistake: When Jack Ross finishes his opening statement by saying, "And when we get to the end.", you hear a brief pause, but if you look at his jaw it is still moving and the words are now out of sync with his mouth.

Continuity mistake: When the two lawyers are in the bar, you see a woman in a green dress with a watch pass behind the lawyer who's not Tom Cruise. After it cuts back shortly later, you see the same woman going the same direction.

Fireball

Continuity mistake: When Joanne comes to ask Danny why he has not yet seen his clients, he is just about to swing the bat, and begins to as the shot switches to her face. However, in the very next shot he's standing with the bat, waiting to swing again. The time between the two shots would not have provided adequate time for him to swing and then be waiting for another throw.

Continuity mistake: When Danny walks into the courtroom, just before the beginning of the case, if you look at Dawson's parents his father is standing up and mother sitting down. The shot changes to a view of the parents talking to Danny and both are standing up.

Continuity mistake: When Markinson gets in Lt. Caffey's car you can see his baseball glove on the back window ledge. Then in subsequent shots the glove sometimes missing.

Factual error: Danny is in his apartment watching a baseball game on TV between the San Diego Padres and the Atlanta Braves. The game announcer is Jerry Coleman for the San Diego Padres. Since Danny is in D.C., he would have been watching the game on WTBS TBS Superstation (an Atlanta TV station), and Jerry Coleman wouldn't have been announcing a San Diego Padres game on TBS. It would have been Atlanta announcers. (00:46:00)

Snag.1

Continuity mistake: During the scene at Gitmo while they are having lunch, the opening camera shot shows Col. Jessup and Lt. Kendrick sitting beside each other, almost touching shoulders. But in the next shot from behind Jessup, there is about a 2 or 3 foot space on his left side.

Hawk

Continuity mistake: When Kaffee drives up to the newsstand at night and buys his magazine and chats with the news vendor, his tie knot is undone down to the second button on his shirt. When he returns to his car and is startled by Markinson in the back seat, his tie is undone only a bit past the first button, much higher than the previous shot. This is largely due, Director Rob Reiner explains, to the fact that part of the scene was shot in D.C. and part of the scene was shot in L.A.

MovieFan612

Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.

More quotes from A Few Good Men

Trivia: Screenwriter Aaron Sorkin has a cameo as a lawyer in a bar talking to a woman about one of his cases.

More trivia for A Few Good Men

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