Directed by: Martin Scorsese
Starring: Alec Baldwin, Cate Blanchett, John C. Reilly, Leonardo DiCaprio, Kate Beckinsale, Ian Holm
Visible crew/equipment: Lighting screens are reflected in Hepburn's glasses while she's in the car heading to the set.
Visible crew/equipment: When Hughes is flying the new and faster airplane, you can see the filming crew reflected in the side of the plane. You can see it at full speed but you can see it better if you slow playback down a bit.
Continuity mistake: In the dining scene where Howard Hughes' girlfriend has a sundae sitting in front of her, the cherry which is on top of the sundae changes positions in several different shots. First, the stem is turned towards the left, a few shots later, it is turned towards the right, then left again. It also shows up in the bottom of the dish, then in the next shot, it is back on top of the sundae.
Howard Hughes: What the hell does a senator from Maine need to fly to Peru for?
Trivia: At the Academy Awards, Cate Blanchett became the first Oscar winner to win her award for playing another Oscar winner.
Question: The colors in this film are otherworldly, (almost like the colors in a black and white movie that has been artificially colorized) and could not have been natural or achieved with any net or filter. I'm fairly certain that there is no method of stylized pre-exposure, and digital colorization, while possible, would have been painstaking on such a grand scale. How did they accomplish it?
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Answer: The first sections of the film are shot in two-strip and three-strip technicolor, a common practice in the early versions of color filmmaking that were happening at the time. The scene on the golf course between Howard and Kate Hepburn is a prime example. As far as the later sections of the film, never underestimate the power of digital effects. :)