De-lovely

De-lovely (2004)

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Cole Porter: Miss Morrison. The line is "away we go" not "off we go", dear. You couldn't manage to make me hear you before and now that I can hear you, you've got it wrong.

Cole Porter: I have a little something for you. It's a whole new flower. A gentleman in Spain did it up for me. It's a hybrid of two varieties of rose thought to be completely incompatible yet look at it. It's perfect. The Linda Porter rose.
Linda Porter: Exquisite.
Cole Porter: Just a pale reflection of our life together.
Linda Porter: It wasn't all beautiful.

Linda Porter: You knew so much about me when we met, don't you think I'd heard a thing or two about you?
Cole Porter: So you know that I... that I have other interests... interests some may see as unfair to you?
Linda Porter: You mean men?
Cole Porter: Yes, men.
Linda Porter: Let's just say you like them more than I do.

Cole Porter: What is discretion but dishonesty dressed up in a little good breeding?

Linda Porter: Is everything in Hollywood connected with movies,.
Louis B. Mayer: Everything good.

Linda Porter: Grace personified.
Cole Porter: Was that me? Because I really hadn't planned on sweeping you off your feet for quite a while.

Cole Porter: I think we define "woman" differently. I don't define it as "punching bag", for example.

Linda Porter: You disappointed a lot of people last night.

Linda Porter: I admit I am partially responsible for all this because I have encouraged you, I have indulged you, and what for? Just a little music.

Cole Porter: You can sing this. The problem is you're not having any fun.

Linda Porter: You knew so much about me when we met Cole, don't you think I'd heard a thing or two about you?
Cole Porter: Then you know that I... that I can be... that I have outside interests the pursuit of which may seem unfair to you?
Linda Porter: You mean men?
Cole Porter: Yes, men.
Linda Porter: Let's just say you like them more than I do.

Cole Porter: Isn't that Linda Lee Thomas with Sara?
Gerald Murphy: I don't know.
Cole Porter: It is, just as they described, the most beautiful divorcée in Paris. My God, she's ravishing.
Gerald Murphy: Is this going to be another Cole Porter obsession without preliminaries?
Cole Porter: Obsessions don't have preliminaries.

Linda Porter: Oh my goodness. Could you be any more wonderful?

Linda Porter: Which one's Cole Porter?
Sara Murphy: You see the one standing up, being so serious about being playful? That's my husband Gerald. The one playing and not being serious at all? That's Cole Porter.

Edward Thomas: Don't turn your back on me Mrs Thomas.
Linda Porter: How amusing! As I recall that was the position you most favored.

Cole Porter: I really can't do it justice. Wait until opening night, hear it sung properly.
Linda Porter: I think it sounds fine now. And I won't be there dear.
Cole Porter: What? Why wouldn't you be?
Linda Porter: You know the doctors.
Cole Porter: I wrote this for you. Why play it if you won't be there?
Linda Porter: That's why I want you to play it for me now. All the way through.

Revealing mistake: In an early scene Cole and his future wife watch fireworks over Paris through a doorway overlooking a balcony. The explosions are reflected on the glass of the open door, which is at an angle to the POV. But the CGI fireworks and their reflection in the glass are squashed to fit into the foreshortened pane of glass. In reality the reflected image would be like any mirror, with the image inverted left-for-right.

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