Kill Bill: Volume 1

Trivia: You can hear the Wilhelm scream twice during the scenes in the restaurant. The first comes just after the Bride fights Johnny Mo after the screen turns black and white. The second comes when the Bride races up the banister (during the "Nobody But Me" song). She slices a guy, then shoves him and he rolls backwards down the stairs.

Trivia: When the bride has the sword through one of the '88's", and is somewhat "dancing" with him, turning in circles, whilst the others are moving out of her way - the music being played is the same music from the movie "Gator" with Burt Reynolds, during the climatic scene at the end at the motel.

ckbyers

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Mistakes

Revealing mistake: When Gogo is fighting the bride, misses and hits herself with the mace, as she falls backwards onto the table, you can see the stunt double's hairy legs. (01:16:10)

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Quotes

O-Ren Ishii: As your leader, I encourage you from time to time, but always in a respectful manner, to question my logic. If you're unconvinced a particular plan of action I've chosen is the wisest, tell me so. But allow me to convince you. And I promise you, right here and now, no subject will ever be taboo. Except the subject that was just under discussion. The price you pay for bringing up either my Chinese or American heritage as a negative is: I collect your fucking head. [Holds up Boss Tanaka's head.] Just like this fucker here. Now if any of you sons of bitches got anything else to say, NOW'S THE FUCKING TIME! [Silence.] I didn't think so.

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Questions

Question: Why are there 2 swords on the plane with the bride?

Answer: Because they are being carried by the other passengers.

Greg Dwyer

Answer: There are more than 2. They are positioned similarly and look similar to The Bride's. So, Tarantino is saying The Bride isn't the only passenger with a kill list. This is where Tarantino reminds us that this is an allegory with The Bride representing all good people seeking revenge against the evil people who wronged them. A common theme in Tarantino films.

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