Directed by: Sidney Lumet
Starring: Henry Fonda, Martin Balsam, Lee J. Cobb, John Fiedler, Jack Klugman, E.G. Marshall
Visible crew/equipment: In the scene where Henry Fonda is recreating the testimony of the old man getting out of bed & walking down a hall, you can clearly see a shadow of the camera on the floor.
Visible crew/equipment: When Juror 8 is approaching Juror 4 following the revelation of the witness across the street's eyesight being put under question, as the camera moves in, its shadow is seen moving across the back of Juror 3. (01:28:55)
Visible crew/equipment: When Juror 8 is approaching Juror 4 following the revelation of the witness across the street's eyesight being put under question, as the camera moves in, its shadow is seen moving across the back of Juror 3. (01:28:55)
Juror #3: That business before when that tall guy, what's-his-name, was trying to bait me? That doesn't prove anything. I'm a pretty excitable person. I mean, where does he come off calling me a public avenger, sadist and everything? Anyone in his right mind would blow his stack. He was just trying to bait me.
Juror #4: He did an excellent job.
Answer: Depends where, and the type of case. At the time the film was made, women were still barred from juries in three states (South Carolina, Mississippi, and Alabama); it wasn't until 1994 that the Supreme Court ruled that lawyers could not strike women from juries solely on the basis of gender. SCOTUS had ruled in 1942 that all-male juries were constitutionally acceptable. New York State (where the story is set) had granted women the right to serve on juries in 1927, so an all-male jury may not have been the norm across the board, but the nature of the crime (murder) would have, at the time, allowed lawyers to exclude women at the jury selection stage by citing the unsavoury aspects of the crime and arguing that the details of the case were not "suitable" for women to hear (being such delicate creatures, you understand /s).