Visible crew/equipment: When Fonda and his men leave the train on horseback, after capturing Harmonica guy, the whole ground is covered with automobile tire tracks. (01:29:36)

Once Upon a Time in the West (1968)
1 visible crew/equipment mistake - chronological order
Directed by: Sergio Leone
Starring: Charles Bronson, Henry Fonda, Jason Robards, Claudia Cardinale
Other mistake: When Jill tries to leave Sweetwater in the morning after Cheyenne's visit, she runs into Harmonica. He has a very nasty, coarsely stitched injury in his cheek that is not accounted for, and for which there was no time to be received, stitched, and the stitches removed again. (Special Edition DVD has a deleted scene in which Harmonica is beaten up, which explains the injury, but it is a continuity mistake within the regular movie.) (01:12:25)
Trivia: While Morton's private train plays a key role in the movie, and the train moves several times, the train's engineer and fireman are never shown, nor is any reference ever made to them.
Question: There's a few things I didn't understand in this film: 1) What's the deal with Jill? Did she really love Mr. McBain or did she just marry for money etc? 2) After she sees the McBain's bodies, why does Jill search the house? Is she checking to see whether anything was stolen? 3) When Jill meets Harmonica in the barn, why does he rip her dress? 4) What's whole thing with Jill and Frank near the end? What exactly happens?
Answer: 1) Jill is a prostitute from New Orleans. She seeks out a new life out West. Love is irrelevant here. 2) She was promised a country living, a family, and wealth. That's why she is looking not only for money or gold but also for the reason her family was killed. 3) So Leone can show her beautiful body. 4) She's saving her life. She's a prostitute and I guess she knows how to fake it. Remember: "There's nothing that can't washed off by a hot bath".





Answer: "Leone fools us into thinking that Harmonica is a criminal and sexual predator in the scene in Jill's barn in which Harmonica rips off the white lace beneath the bodice of Jill's dress. This act, that seems to betoken sexual aggression and to anticipate rape, is actually one of protection. Harmonica represents no more of a sexual threat than Cheyenne does. What Harmonica realises, and Jill does not, is that Frank's sharpshooters wait for her in the hills above her house and that the white of her dress makes her an easy target. He might have explained this situation more carefully to her, of course, but Leone's characters seem to almost thrive on, or to court, ill opinion. Moreover, when Harmonica's shots ring out at the well and Jill realises he is actually intent on protecting rather than brutalizing her, the effect is all the more dramatic for his having given her no hint of his intentions. Leone's heroes do not like to wear their morality on their sleeves." (John Fawell).