Directed by: David Fincher
Starring: Andrew Kevin Walker, Brad Pitt, Kevin Spacey, Morgan Freeman, R. Lee Ermey
Other mistake: When Somerset goes back to the man's house alone, he cuts a sticker on the door with his switch-blade to get in. The first error is the sticker is on the inside and it says "Keep Out." The best part about it is the door opens inward. How did they put the sticker on the inside and then exit? (00:20:45)
David Mills: I've been trying to figure something in my head, and maybe you can help me out, yeah? When a person is insane, as you are, do you know that you're insane? Maybe you're just sitting around, reading "Guns and Ammo", masturbating in your own feces, do you just stop and go, "Wow! It is amazing how fucking crazy I really am!"? Yeah. Do you guys do that?
Trivia: Kevin Spacey made sure that it was in his contract that his name would not appear in any press releases or reviews, that his photo would never appear in any of the above, he was not to be mentioned in interviews nor was his name to be anywhere in the opening credits. He cites his reason as being that The Usual Suspects and Outbreak were both opening earlier that same year and figured that people would start to recognize his name. And he also figured that if people saw his name in connection with the movie and he didn't appear for the first 2/3 of the movie they would know that he was playing the killer, thus ruining the element of shock and surprise that the moment in the movie has built up to. To compensate, Spacey is listed first in the ending credits.
Question: When shaving their chests by the end of the movie, Mills and Somerset are joking and then Mills gets serious, says "You know...?" and then stops. What do you think he was going to say? Maybe he was going to be nice to Somerset, but then refrained himself?
Answer: I've always wondered this question as well. I think he was gonna say something along the line of "you know I haven't talked to my wife all day And that's very weird." Especially since Somerset just said be prepared for anything while transporting Doe. Speculation at best though.
When Mills and Somerset enter the station building just before John Doe gives himself up the female desk sergeant tells Mills his wife had phoned this puts Mills' wife into the mind of the viewer. When Mills says to Somerset during the chest shaving scene 'if I keep coming home late my wifes gonna think something up' is placing Traci again in the mind of the viewer. Then Mills says 'You know?' prompts the question what has happened to Traci.
Answer: Since he stands for wrath in the plot, in the said scene he was probably going to acknowledge his short-tempered nature. He doesn't and therefore he looses a chance of confession. What say?
Could be right. He certainly has explosive episodes of anger throughout the film. He may, just for an instant believe himself to be wrath. I think he ignores the thought because he is always optimistic, caring and believes in good. Therefore, due to these virtues he cannot be wrath. Somerset, the calmer, more laid back character is the pessimist who sees evil everywhere. One would think he would be angry at the world. Maybe he was like Mills when he was younger.
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Answer: I've seen se7en hundreds of times, and I've always wondered what Mills was trying to say to Somerset, and here's my take. If you've noticed, the recurring theme between the two was their conflicting views on how they see the world around them. Somerset is the grizzled, experienced detective who has been through the ringer, so he's views are more pessimistic in nature. Which I can sympathize with. Mills being the rookie detective that he is, was the optimistic, "I'll be the hero" kind of guy. So much so that Somerset called him out for being too Naive, and that he can't be like that. So getting back to the question at hand. During the chest shaving scene, I believe Mills was about to tell Somerset that his dark pessimistic view of the world around them makes sense. Mills wanted to say that Somerset was right, which he wasn't able to bring himself to do.