The Aviator

Continuity mistake: Before Flynn is thrown the paper ball, a couple passes behind him and disappears in the next shot.

Sacha

Continuity mistake: Errol Flynn is standing tall, then extends his hand to greet Hepburn and when he is almost touching her hand, the shot changes and now he is far away, hands out of reach and kneeling down.

Sacha

Continuity mistake: When Hughes is burning his clothes, his fringe appears in the close ups and disappears in the wide shots.

Sacha

Factual error: While in the air shooting scenes for Hell's Angels, a camera mounted on a wing breaks and film flies out. The film is brown in color, the hue of undeveloped color film, and Hell's Angels was obviously filmed in black and white. The film should've been grey or blue as this is the color of undeveloped black and white film.

Private Joker

Deliberate mistake: During the flight Hughes takes with Katherine Hepburn, they talk to each other in normal, conversational voices. A twin-piston-engined aircraft of that vintage (or any vintage for that matter) is LOUD. We should be able to hear roaring engines, and the two should have to shout at each other to be heard.

Factual error: In the 1940ish Connecticut scenes of the Hepburn family, one member was taking movies with a Bolex reflex movie camera not manufactured until the late 1950s.

Factual error: Some of the glasses in the film are too thin and modern to belong to the time period, such as the ones that Robert Gross wears. As well, his lenses, as well as those of Senator Brewster, reflect light with the distinctive iridescent green/purple of non-reflective coating, which was not available back then.

Visible crew/equipment: When Hughes is flying the new and faster airplane, you can see the filming crew reflected in the side of the plane. You can see it at full speed but you can see it better if you slow playback down a bit.

Ben's Mom

Continuity mistake: A drop of soap on the lower right side of the sink when Hughes cuts himself appears and disappears depending on the shot.

Sacha

Continuity mistake: In the scene when Howard Hughes and his young girlfriend Faith Domergue are in the Coconut Grove meeting with Juan Trippe, Faith is seen with a sundae in front of her. In one shot, she's eating the sundae, and in the very next shot her hands are suddenly in her lap.

Jane Doe

Ava Gardner: You don't own me, Howard. I'm not one of your teenage whores and I'm not some damn airplane.

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Question: The colors in this film are otherworldly, (almost like the colors in a black and white movie that has been artificially colorized) and could not have been natural or achieved with any net or filter. I'm fairly certain that there is no method of stylized pre-exposure, and digital colorization, while possible, would have been painstaking on such a grand scale. How did they accomplish it?

Answer: The first sections of the film are shot in two-strip and three-strip technicolor, a common practice in the early versions of color filmmaking that were happening at the time. The scene on the golf course between Howard and Kate Hepburn is a prime example. As far as the later sections of the film, never underestimate the power of digital effects. :)

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