Best comedy movie mistakes of 1980

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The Private Eyes picture

Continuity mistake: In the last scene, the Butler and Groomsman load a Sarcophagus in the back of their station wagon. The tail gate is left open and both step back as the vehicle pulls out. As they are driving off down the driveway the tail gate is closed.

kshokie53

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Bronco Billy picture

Visible crew/equipment: In the bar fight scene, the camera crew is visible right after Lefty hits one of the bar patrons.

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Alligator picture

Visible crew/equipment: In the opening shot of the movie, several people (presumably the film crew) are reflected in the eye of the titular reptile. (00:00:15)

Sammo

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Seems Like Old Times picture

Continuity mistake: When Ira and Glenda are discussing Nick, who is hiding under the bed, Ira briefly stands on Nicks right-hand pinky finger. After Ira has walked away, under the bed Nick grimaces while holding his left-hand pinky finger.

djm

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My Bodyguard picture

Revealing mistake: Linderman refuses Clifford's offer to be his personal bodyguard from Moody's gang, and leaves. As Clifford walks by the students practicing their violins, playing Mozart, their bow movements do not match the music.

oprlvr33

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Used Cars picture

Continuity mistake: When Mickey gets into the '57 Chevy to "test drive" it, there is no gear shift lever on the steering column. The camera then shows him buckling his seat belt, and when it returns to the previous angle, there is that missing shift lever.

goofyfoot

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Bon Voyage, Charlie Brown (and Don't Come Back!!) picture

Factual error: When the Peanuts gang got to Victoria station, Travel Center is spelled the American way. Since it's England it should be "centre" (00:24:55)

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Love in First Class picture

Visible crew/equipment: When the main character and his family are first seen making their way to the train, the rightmost one in a row of three eerie blonde pageboy-haired children keeps looking into the camera. Generally, throughout the movie, there are plenty of instances of child actors looking into the camera, mainly young Malcolm (Lorenzo Aiello). (00:05:15)

Sammo

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