Jean G

The Chimes of Big Ben - S1-E2

Continuity mistake: Number 6 chooses a rather thin tree to cut down and fashion into his canoe. Somehow, when he's finished hewing out the wood to form the boat, it's considerably wider than the tree he started with.

Jean G

The Chimes of Big Ben - S1-E2

Continuity mistake: Number 2 sits down and places his umbrella beside him with the handle facing out. The camera angle changes, and although he hasn't touched it again, the umbrella handle is now facing inward.

Jean G

The Chimes of Big Ben - S1-E2

Continuity mistake: When he's playing chess with The General, Number 6's jacket changes between takes. At first it has solid piping on the lapels, then the piping has gaps, then it doesn't again.

Jean G

Alias Smith and Jones (90 min.) - S1-E1

Continuity mistake: In the saloon, Heyes and Curry are standing at the bar about four feet apart. After the deputy sheriff kicks the orchestron (a 19th C. jukebox), the camera angle reverses - and Heyes and Curry are suddenly shoulder-to-shoulder at the bar. (00:48:20)

Jean G

Alias Smith and Jones (90 min.) - S1-E1

Continuity mistake: When Miss Porter enters the office, the coffee mug on Lom's desk jumps from the blotter onto the wood surface between shots, even though no one touches it. It also reverses its orientation: the handle switches from pointing left to pointing right. (00:18:50)

Jean G

Arrival - S1-E1

Continuity mistake: When he's trying to escape, Number 6 hides behind a bush with long narrow leaves. But when the camera angle changes to his point of view, the bush now has short broad leaves instead.

Jean G

The New Lion of Sonora - S4-E14

Continuity mistake: When Buck tries to comfort a bereft Manolito, Mano is sobbing and leaning his forehead against a tree trunk. But when the shot reverses angles, he's abruptly standing upright a foot away from the tree. (00:14:10)

Jean G

Arrival - S1-E1

Continuity mistake: Rover drags Number 5 back out of the water to the beach and drops him with his feet pointing toward the recovery vehicle. He starts to get up, but when the shot cuts, he's lying flat again and has changed orientation on the sand, his head now pointing toward the vehicle.

Jean G

Arrival - S1-E1

Continuity mistake: The maid comes back to Number 6's house for the feather duster she left behind. While they talk, the duster changes positions on the table all by itself.

Jean G

Arrival - S1-E1

Continuity mistake: During the scene with Number 6 and the young woman in the stone boat, Number 6's jacket changes from one shot to the next. The design of the white piping is distinctively different.

Jean G

A Man to Match the Land - S4-E17

Continuity mistake: Red Eagle's war paint changes between takes. Sometimes it's red with blue striping. In other shots, the blue stripes disappear.

Jean G

Sangre - S4-E15

Continuity mistake: The blood stain on Sangre's clothing disappears when Manolito borrows the outfit as a disguise. It reappears at the end just in time for Sangre to put the clothes back on again. (00:39:20)

Jean G

Arrival - S1-E1

Continuity mistake: The Villager Rover attacks changes outfits several times between shots. He's wearing a striped sweater that turns into a pink jacket that turns back into the sweater, etc.

Jean G

Arrival - S1-E1

Continuity mistake: When Number 6 observes the stone boat, the tide appears to change from high to low between shots.

Jean G

Arrival - S1-E1

Continuity mistake: Watch the stone boat in the background as Number 6 and Number 2 discuss the oldsters having "every comfort." Between shots, the senior citizens vanish from the boat.

Jean G

Arrival - S1-E1

Continuity mistake: When Number 6 climbs to the top of the bell tower and looks down at the Village, the beach below him changes remarkably between shots. The sequence was obviously shot at different times of day, as the tide is in during much of the scene, but in several intervening shots, the beach sand is completely exposed.

Jean G

Arrival - S1-E1

Continuity mistake: Number 6 is looking out his window as the maid runs down the stairs. As he watches her, two tables in his apartment change places with each other between takes. A large table with a statue/sculpture on it switches positions with a smaller table on which his lamp and telephone rest.

Jean G

Arrival - S1-E1

Continuity mistake: The telephone kiosk Number 6 uses at the beginning changes both its shape and its location between takes. Sometimes it's under an archway: in other shots, it's next to the restaurant instead. And in some shots, the hood above the phone has square/straight edges, while in others, its edges are round.

Jean G

Fall Out - S1-E17

Continuity mistake: In the final scenes, as helicopters are taking off from the Village, the bell tower that's always been there is visible in some shots, but in others, it has disappeared.

Jean G

Fall Out - S1-E17

Continuity mistake: At the end, Number 6 and the Butler catch a bus near Westminster Bridge in London. The bus that drives up and stops for them has no back platform. But when they board, the style of bus suddenly changes to the more common type with an entrance in the back.

Jean G