Sacha

Continuity mistake: While Peter slides down the snow, the penguins disappear between shots.

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Continuity mistake: After being with the mermaids, Peter falls off the basket into a puddle and rolls down with his hair soaking wet. Then cuts to him crawling and his hair is dry.

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Continuity mistake: After the mermaid scene Peter is lifted in a basket. When the angle swaps to a close-up the basket is suddenly covered in leaves.

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Visible crew/equipment: White lighting screens are reflected on Peter's glasses when he looks up to see Rufio for the first time, and right afterwards when he runs away and bumps into a net.

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Revealing mistake: When the red-haired mermaid kisses Peter, she extends her arm and you can see the wrinkles of her disguise's fabric next to her wrist.

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Continuity mistake: When the boy touches Peter's face, Peter is kneeling and is slightly taller than the kid. Then he says "Here you are, Peter!", the angle swaps to a wide one where Peter is now in a lower position than the kid. Then back to the close-up and he is back to a higher position. The boy's hands are also always inconsistent between the front and side angles.

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Continuity mistake: When Harry jumps on the dragon, his hair is wet and messed, then it changes to dry and brushed and in the next angle, for a brief moment, it's back to wet and messed.

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Continuity mistake: Perry White is telling Clark about the terrorists while composing the headlines. Note the cut-out of the word IN under Paris. It swaps from straight to slanted between angles.

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Continuity mistake: When Hinx smashes Sr. Guerra's head against the table, it falls on some papers. When the angle changes they're gone.

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Continuity mistake: Bond leaves M's offices, walks through the patio, and crosses a rounded pattern on the center. In the close-up, he's several meters behind, walking by the pattern again.

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Continuity mistake: When M scolds Bond about the Mexico incident, the position of the newspapers on the table changes between shots.

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Other mistake: When Madmartigan runs aways from the dragon, he cuts the catapult and launches a stone against a baddie, who falls off his horse. Watch the guy behind, he is the worst stuntman: He slowly steps off his horse and then suddenly throws himself to the floor for no reason at all.

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Deliberate mistake: At Lois' penthouse, before Superman says goodbye, the image is sharp and clear. Cuts to a close-up, and then check the next wide angle where he says goodnight and flies away: It's blurry and grainy because it's not live, but a screen with a previously shot scene to allow for the camera to turn left and, in a matter of seconds, no cuts at all, show Superman magically and quickly transformed into Clark Kent.

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Revealing mistake: When the helicopter gets jammed on the white railing at the ceiling, Lois is replaced by an obvious dummy that dangles back and forth with no control.

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Continuity mistake: While Lois and Superman are being mugged in the alley, Lois kicks the thief and protects herself leaning with her face against the wall and her arms widely spread. A frame later, when Clark grabs the bullet, her arms are close to her head.

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Continuity mistake: At the convenience store, Robocop stops the burglar from fleeing by knocking him on the jaw, making him fall backwards. A frame later Robocop's arm is extended and the man is flying forward, falling face first.

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Continuity mistake: When Whip is watching the crash on TV, the (CGI) plane seems big while flying against the church, but when it lands and it's seen in comparison with the people on the field, it is awkwardly small.

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Continuity mistake: When Nicole knocks the box with the syringe and all the drug-stuff, the syringe falls far away from the box, but it appears very close to it in the next shot.

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Continuity mistake: When the movie starts, in the wide shot there is no cellphone on the night table on the left at Whip's side. In the close-up a cell phone appears.

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Visible crew/equipment: When the rocket is about to launch, Dorothy drives to a field. After she exits the car the camera crane is reflected on the door.

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