Continuity: Amanda's hair is in a lose ponytail when she sees Jigsaw holding Lynn's hand. A large part of her hair is hanging down the right side of her face and in her eye. She storms out of the room and now all of a sudden her hair is all pulled back in a tight ponytail and no hair is hanging down or behind her ear, it's all back in the ponytail (instant cut, no time for her to re-do her hair). Submitted by Nick Bylsma

Continuity: The green tube that's connected to Jigsaw is gone when he says "Suffering? You haven't seen anything yet", but it was there in the previous scene and it's back the next time you see him. Submitted by Nick Bylsma

Continuity: There's a shot of the right foot when "The Rack" starts twisting it. There is a blood trail that runs off between his first 2 toes, and a lesser one that runs off between his 2nd and 3rd toes. The screen cuts to a close-up of the foot and there's only the blood trail that runs off between the first 2 toes. Submitted by Nick Bylsma

Continuity: When Jeff is screaming at the guy in "The Rack" there are a few spinning shots of "The Rack". You can see that the guy's arms aren't broken, even though you've seen them both be twisted until they snapped. (Slo-mo helps but is NOT required). Submitted by Nick Bylsma

Continuity: When Jeff is monologuing about how "Everyday for 3 years I wanted to kill him" there is a tear that appears in his right eye and starts to run down his cheek. The shot cuts away for a second, then back to Jeff and there is no tear, not even a wet tear trail. Submitted by Nick Bylsma

Continuity: When Jigsaw first says "I call it The Rack" you see shots of the guy's hand and feet. There is blood coming out of the spots where the bolts are going through, and the blood is dripping down onto the parts of The Rack, but when the machine actually starts to turn his hands (right one) there is no blood to be seen. Submitted by Nick Bylsma

Continuity: In "The Rack" room you get a shot of the box holding the shotgun and the key. When first viewed from the back the keyfob and the key are directly parallel to the front and back of the box. The scene cuts back to the guy in the rack, then back to the box. Now the key and keyfob have moved and are almost vertical to the sides (the judge hadn't started to move it yet, there's nothing to explain how or why it would have moved). Submitted by Nick Bylsma

Continuity: In the close-up when Amanda goes to suffocate Adam with the plastic, the plastic only goes up to his forehead, yet when the scene cuts back (instant cut) the plastic is completely surrounding his entire face and head. Submitted by Nick Bylsma

Continuity: Amanda's sweat marks and eyeliner runs constantly change shape and size (bigger, smaller, and back to bigger) during the bathroom flashback. Submitted by Nick Bylsma

Continuity: When Amanda goes to take off Adam's boots (in the flashback) his feet are spread a good 2, 2 and a half feet apart, yet when she goes for his right boot his feet are all of a sudden less than a foot apart. Submitted by Nick Bylsma

Continuity: The clamps on Jigsaw's head change their positions between the time Lynn says "He's stabilized" and "I need you to raise your hand and spread your fingers" The top one is most noticeable, it goes from hanging over his forehead to lying on top of his head. Submitted by Nick Bylsma

Continuity: The blood splatters on Lynn's face change throughout the whole brain surgery scene. The splatters go from defined, to smeared, and then back to defined again a couple different times. Submitted by Nick Bylsma

Continuity: Lynn explains the procedure she's going to do to Jigsaw, then goes to fill the syringe. Look at the syringe when she sticks it in the bottle, the plunger part is pushed all the way to the bottom. The shot cuts to a different view and the plunger is a good inch or 2 pulled back already (she hadn't started to draw it out yet, you can see 1 or 2 inches of air). The shot cuts again, and now the plunger is at the top of the syringe again, then she starts drawing it out). Submitted by Nick Bylsma

Continuity: The scene goes back to Lynn preparing for Jigsaw's surgery after Jeff rescues the judge. There is a shot of Jigsaw watching Lynn and you can see the hand rotary saw lying on a tray beside him. There are various shots of Lynn getting the equipment ready, and one of them shows her testing the saw and they laying it down on the table with the other instruments. There is another shot of Jigsaw watching Lynn, and you can see that the rotary saw is still on the tray beside him. Submitted by Nick Bylsma

Continuity: There is a far-away shot when the first pig comes out. You can see Jeff standing on the platform holding his left hand to his face, there's an instant cut to a close-up of Jeff, but now his right hand is held up to his face. (Time) Submitted by Nick Bylsma

Continuity: When Jeff sees the doll on the wrecked trike you can see that the doll's hand is on the trike tire, but in later shots (of the doll from the waist up) the wheel and tire and nowhere to be seen. Submitted by Nick Bylsma

Continuity: Jeff's body position moves when he's looking down the hall towards the wrecked trike. When the shot is in front of him his right leg is farther forward than his left and he's leaning forwards peering into the darkness, when the shot is behind him he is standing up straight and his feet are parallel. Submitted by Nick Bylsma

Continuity: During the scene when Lynn is telling Amanda that Jigsaw needs to have an operation Lynn is talking to Amanda with her body slanted forward and her head and chin up (in a "you're stupid, this is what we need" type of pose), but in all of the over-Lynn's-shoulder shots her head is tilted down to look at Amanda. Submitted by Nick Bylsma

Continuity: When Jeff reaches up and plays with his daughter's hair some of her hair falls over/in front of her stuffed animal. The next shot of her (instant cuts) and her hair is back behind the animal. Submitted by Nick Bylsma

Continuity: In one shot, when Kerry is in the 'Angel' trap, her right hand is on the chain. The shot cuts away to an over-her-shoulder view and her hand is off the chain. The shot cuts back to show her and her hand is back on the chain. (Time) Submitted by Nick Bylsma