Continuity: The air hoses attached to the glass box at the end of the film are hanging straight down in some shots, and are wrapped around themselves in others, without anybody touching them.
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Patrick Melton and Marcus Dunstan, the writers of both "Saw IV" and "Saw V", have a cameo in the flashback of Hoffman being kidnapped and meeting Jigsaw for the first time. When Hoffman is about to get on the elevator right before getting kidnapped, Dunstan is the second man to exit the elevator (he is in black and has a beard), right after the snobbish woman. Melton is the tall man who exits the elevator last before Hoffman enters. See more...
Revealing: When Strahm removes his jacket at the end of the movie and starts pushing the walls with his hands and uses his legs, when he takes his feet off the wall, the wall moves. Now considering these walls are supposed to be solid steel, this doesn't make sense. The walls are actually wood.
Continuity: The tape recorder changes position in the final game. After the walls start moving in, Strahm drops the tape recorder and it is facing the door, completely straight. When he goes and gets his gun to shoot the box, it is on a slant now. Strahm didn't move it.
Visible crew/equipment: When Strahm goes to get his gun in the crushing room at the end of the film, a boom mic is reflected on his jacket.
Other: When Agent Strahm first starts investigating, he uses the FBI computer to look up Seth's name. He is heard typing many more characters, very quickly, than actually show up in the 'search' field on the screen.
Continuity: When Seth has been sliced by the blade, he spits blood that goes all over his face. It then cuts to Hoffman looking at him, then back to Seth, and now the blood on his face has gone. This happens three or four times.
Other: When Hoffman has the orange blanket put on him by the paramedic after escaping the Gideon Building, she puts it on him twice. It is also at one point not covering his right shoulder, but in the next shot, when Fisk talks to him, it is.
Continuity: The air hoses at the end of the film keep changing position. There is a shot from above: the air hoses are below actually resting on top of the glass box. Then when Strahm is trying to get out through the roof, there is a small rectangle cut out of the grated mesh and the hoses are above the roof and are not resting on the box anymore.
Visible crew/equipment: In the crushing room at the end of the film, Strahm is trying to open the box where Hoffman is. As it's descending into the ground, on the side of the box you can see the feet of a crew member with white sneakers moving around. It is not Strahm's feet: he's wearing black boots. No slow-mo is required.
Continuity: When Strahm looks at his phone while locked in the sick room, the signal bar is on the right and the battery signal on the left. When Hoffman plants Strahm's phone in his hideout to frame Strahm, the signal bar is now on the left and the battery on the right.
Revealing: When Stahm is in the cube trap, there is one shot just before he sees his phone, gun, etc. and you can see a massive gap down the side of the cube where it wasn't shut properly. With the size of the hole, it would be extremely hard to keep water in the cube.
Revealing: When Strahm's phone says "no signal" there is actually a three bar signal.
Continuity: When Jigsaw's lawyer puts the opened envelope down on the desk, having taken the video out, he puts it horizontally on the folder. Camera cuts and it's now rotated 90 degrees instantly.
Visible crew/equipment: When the police cars arrive after Strahm's cube trap, there is a very quick shot of the black police car passing before the camera. When it does, a white screen and black stage light are reflected on its surface. This is just before it shows the SWAT going in.
Continuity: When we first see Hoffman looking at the CCTV screens, we can see Ashley is lying down. When it shows her waking up, however, she is sat up.
Visible crew/equipment: When Jill Tuck is talking to Agent Erikson in his office, there is a shot with a boom arm's shadow visible across a picture and bit of wall, behind Agent Erikson.
Other: Virtually all the text in the various articles and reports in this movie are fake. Look at the John Kramer article at the very beginning, even at first glance you can tell it's an article about pilgrims or something and has nothing to do with John Kramer. Also, when Staham is going through the articles he found on Hoffman's sister, you can very plainly see that every article (there are a few) is just the same typed out story copied and pasted into various formats. (This doesn't even require slow motion, just pay attention.)
Continuity: Throughout the movie, the clocks show incorrect time and at times changes from 8:20 to 18:20 and the countdown clock shows wrong sequencing.
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