kh1616

Question: After watching this film probably 30 times over the years, I still can't work out how and who broke the mirrors in the dance/music room, and how did Charlotte get a wound on her arm? Please help me.

kh1616

Continuity mistake: Right at the end, the insurance man gives Charlotte Jewel Mayhew's letter and in the next shot of him, his hands are empty. But in the following shot he's holding the letter again.

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Continuity mistake: When Charlotte shoots Drew, her hair is in plaits that are on top of her head, but as time progresses so does her hair. When they are disposing of the body, her hair is down; and when she enters the house, it is completely down and brushed out.

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Continuity mistake: Near the end, Velma wants to take Charlotte away from Miriam and Drew; Velma handles the needle and syringe on the bedside table and puts them at the back, but when Miriam comes back the needle and syringe are back in their original spot.

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Question: I've been puzzling over this for decades: who smashes the mirrors in the music room? Is it Charlotte, in a drug-induced state - that would explain the marks on her arm, pretty bad ones, too - but she loves the house, she wouldn't hurt it? Or is it Drew, and they - he and Miriam - imply she did it, to make Charlotte think she's crazier than she already is? It can't be Miriam - she was in bed, asleep.

kh1616

Plot hole: The local newspaperman points out Miriam to the insurance man before she gets out of the car, and the car is across the street - there's no way he could know it was her before she got out of the car.

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Upvote valid corrections to help move entries into the corrections section.

Suggested correction: Of course he could have known her car, and since her husband was dead, who else would be in it?

Miriam didn't have a husband and Charlotte says in the film that she rented the car for Miriam.

Plot hole: In the beginning, Charlotte insists to Velma that cousin Miriam is coming, but Velma says "She's never answered any of your letters." And Drew says she's not coming. But when Miriam does come, only seconds later, Velma and Drew now act like they were expecting her. Velma says "You nearly beat your telegram. We weren't expecting you till tomorrow." It's like the film has been badly edited, with Miriam's announcement of her arrival ending up on the cutting room floor.

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