Plot hole: When Schaeffer, McFee, and Fergie drive to the Lapp farm to kill John, the car stops on top of a hill. Then it reverses a bit to be out of sight from the farm. But then the formerly careful guys get out and walk down the open road, sporting their guns like in an Italo western.
Continuity mistake: When Harrison Ford confronts (and beats up) the tourists, there are a number of close-up shots of the people in the first wagon, including one where Viggo Mortensen leans forward and tells the driver to do nothing, even though he is being provoked. In all these close ups, Mortensen is bare-headed. When the shot changes to Ford's perspective, from the cart behind, we see one of the tourists grab a straw hat from Mortensen's head. The hat has appeared out of nowhere in a split second. There is a child with a straw hat behind Mortensen, but the hat stays on his head in both shots.
Character mistake: When Schaeffer, McFee, and Fergie walk down the dusty road to Amish village, Western gunslinger style, they make a silly mistake no cop would make - they assume that Amish villages are unarmed and undefended. No so. The Amish have no prohibition on guns and almost every house would have at least one hunting rifle or shotgun. The three bad guys are risking being shot to bits before they get halfway down that hill; they don't even make an attempt at concealment. (Wouldn't they also at least think John - a police officer - would still have his gun or might have got hold of a firearm from the Amish?)
Continuity mistake: On the way from Lancaster to Philadelphia the length of the train changes. It's fairly long when it enters the Lancaster station; after leaving the station, in one shot it's just a locomotive and one car, while in a later shot it's a locomotive and three cars.
Continuity mistake: At the end of the film, during the wordless good-bye scene between Kelly McGillis and Harrison Ford, she stands at the door wearing her Amish bonnet. The straps hang untied in front of her shoulders, but after a cut to Ford, the bonnet straps are behind her shoulders.
Continuity mistake: When Samuel shows his new toy to Rachel she looks out of the kitchen window into the fields. Two shots later she looks out of the same window and, surprise, there are Eli and John putting up the bird house. When she talks to Eli later there is same window in the background, with no bird house to be seen.
Plot hole: The way John confronts Samuel with the first suspect (throwing and pressing the guy against the side window of the car Samuel sits in) is plain ridiculous and certainly not the practice of a good cop like John. Later they have a proper confrontation with six more suspects.
Continuity mistake: When Rachel dances with John Book, she is chastised by her Father-in-law outside the house. As the camera angle switches back and forth from over his shoulder, then hers, the distance between them is radically different. Over her shoulder the brim of his straw hat is nearly touching her. From his perspective there appears to be a good three feet of distance.
Continuity mistake: When John puts up Rachel and Samuel with his sisters they are shown to their bedroom. The sister goes down the stairs and says a few words to John before he leaves. When she comes back Rachel and Samuel have already changed into their nightgowns - not at all enough time for that.
Factual error: When Rachel and Samuel are at the 30th Street Station in Philadelphia, the door Samuel walks through is not (and never was) the men's room entrance. The men's restroom is further to the left, behind the wall and out of the camera view. Also, the men's room at the 30th Station was never that dingy looking and, at that time of day, would have had a very steady flow of patrons going in and out.
Continuity mistake: When the local bums provoke the Amish, Viggo Mortensen's hat is grabbed twice - for the first time when the leader of the gang smears Alexander Godunov's face with ice cream, the curly-haired guy can be seen swiftly grabbing Mortensen's hat in the background. Thereafter Mortensen is hatless - until the same curly-headed bum grabs his hat again, now in the wide shot.
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