About a Girl - S1-E3
Visible crew/equipment: Right after the opening credits, when Dr. Finn tells Bortus, "I will not perform a sex change on a perfectly healthy newborn," the camera pans to the left as she walks to her desk, and the yellow T-mark can be seen on the floor in her office, where Bortus will stand. (00:03:25)
Visible crew/equipment: As Hannah goes to take the cassettes we can see the shadow of the moving camera. (00:04:25)
A Sneeze, Detention, and Sissy Spacek - S1-E13
Visible crew/equipment: When Sheldon is running away from Mary in the garage, the set lights are reflected in his helmet. (00:18:00)
Episode #3.8 - S3-E8
Visible crew/equipment: When Gereon walks out into the hospital corridor (just before he discovers the tied up guards), he looks straight into the camera. The shot then changes to another angle of Gereon (from behind a railing), however, you can see the camera that was taking the previous shot from here still in frame. (00:34:05)
The Blessing of Many Fractures - S1-E8
Visible crew/equipment: During the fight with Zhou Cheng, Danny's face is blurred during a shot, revealing it was a stunt double. (00:45:40)
Visible crew/equipment: In the Skype call with Celeste and Perry, you can see two people in the camera. (00:45:07)
The Snorpion - S2-E5
Visible crew/equipment: After the show's intro, during the basketball game Buffy gets TJ's attention yet he deliberately ignores her, and in a following shot from behind Buffy the bulging outline of the hidden bodypack transmitter can be seen on her back, under the jersey number 23. (00:02:25)
Fog of War - S3-E13
Visible crew/equipment: When Trent is approaching the door you can see a GoPro attached to the barrel of his rifle, on the left side of the weapon. (00:08:13)
Visible crew/equipment: When Adrian is getting something from the snack machine, the cameraman can be seen in the snack machine's reflection. (00:26:30)
Let the Great World Spin - S4-E2
Visible crew/equipment: Marty visits the FBI agent at her home. The camera starts far away from them in another room, and pushes in through the door frame. On the left side of the frame, the camera's shadow becomes very obvious as the shot moves.