Visible crew/equipment: On Skull Island, when Carl says, "No one has lived here for hundreds of years," the distinctive reflection of the reflector screen is visible in the lens of Preston's glasses, as he looks down; there are other moments in the film where this happens with characters' eyeglasses.
Visible crew/equipment: When the Muslim armies approach Brendan Gleason's castle there is a side shot of the Muslims army coming to a halt. You can see the marker stake with yellow tape at the top (used during production as a mark). (01:10:10)
Visible crew/equipment: When Rachel pulls up to the crime scene where Jake was killed, as she gets out of the car you can see a grid of set lights reflected in the car window door. (00:12:30)
Visible crew/equipment: In the scene where the piano collapses, after Madea's chainsaw rampage, you can see the wire that pulls the piano apart.
Visible crew/equipment: There are numerous moments where the reflector screens are reflected in characters' eyeglass lenses, such as when Dale tells Jessie, "You can't be buddies with your own son," there are clear reflections in Dale's lenses. (00:37:50)
Visible crew/equipment: About half way through there is a shot that shows Jonathan sitting in his living room. On the right-hand side of the screen we can see the windows and it's dark outside. Even so, you can see a cameraman holding a camera moving along the window filming Jon from behind.
Visible crew/equipment: When Jimmy Fallon and Drew Barrymore are taking their seats after the guy yells peanuts and crackerjacks, if you look carefully you can see some of the seats behind are actually filled with mannequins dressed with clothing. Some of them don't even have arms. (00:38:00 - 00:41:00)
Visible crew/equipment: When Amanda is tangled in all the ropes and straps in the plane you see a diver behind her trying to hide from the camera man.
Visible crew/equipment: In the wigwam scene, crew members and the white screen reflector are visible in Bree's sunglasses.
Visible crew/equipment: When they show the sea (or ocean), a small part of the camera is seen at the side of the screen. (Visible on widescreen DVD.)
Visible crew/equipment: When Betsy is having the sheet pulled up over her, the lightning flashes and lights up the visibility. You can see a wire which is being used to guide the sheet.
Visible crew/equipment: When Brendan is talking to V.P. Trueman, a boom microphone is seen moving in the reflection of a picture frame to the left of Trueman.
Visible crew/equipment: When Kathy is bringing in the groceries and she asks George where Chelsea is, they run outside to look for her. As the scene goes along it pans past the truck and you can see the reflection of the camera in the truck.
Visible crew/equipment: If you look very closely when Braddock makes his son Jay return the salami to the Butchers, you can see the camera in the window of the butcher shop. It is more evident when they walk out of the store.
Visible crew/equipment: When Bob is in the elevator in the hotel in Beirut, a camera lens is visible in an elevator mirror.
Visible crew/equipment: In the scene where Marcus comes to the aid of his crew and pulls out a gun to back the Puerto Ricans off, a female production crew member, in the background, can be seen walking into frame. More specifically, in the shot where the Puerto Rican is backing up, the female production crew member comes into frame, looks at the camera and nonchelantly backs up out of the shot.
Visible crew/equipment: The scene where Anna Hathaway and Bijou Phillips are rapping when on the bed together, the boom mic can be seen moving in the background. (00:53:05)
Visible crew/equipment: When Mr. Davis pulls up and gets out of his car to talk to Alice and Trixie, the edge of the reflector screen in reflected in his car door frame.
Visible crew/equipment: At numerous times throughout the film, especially when Simon and Rose talk on the deck about her not being pregnant, the camera and lights can be seen reflected in Simon's glasses.
Visible crew/equipment: During the assassination attempt scene, President Gerald Fitzhugh is thrown from the blazing limo and lands on the pavement. When he begins to get up, watch closely and you'll be able to see a blue blanket that was placed on the ground to protect the actor as he sat on the pavement.