Continuity mistake: When George is at Susan's cousins' house complaining about them stealing the name Seven, its bright Daylight out. You can tell because the sun is pouring in through the windows. The woman goes into labor and they all get into the car to go to the hospital. At this point it is nighttime. When they finally arrive at the hospital it is broad daylight again.
Revealing mistake: When Kramer is getting slammed with his new super-powered shower head at the very end of the episode, it's blatantly obvious that the water is barely touching him - he's standing right next to it.
Plot hole: In the episode where Kramer decides to start sleeping like a Seal, he's with a girl. He falls asleep on top of her and she seems to think that he's dead. While breathing, your chest expands in such a way that if somebody were laying on top of you, there is no conceivable way that you could think that they are dead.
The Calzone - S7-E20
Visible crew/equipment: In the scene where Elaine questions her boyfriend in front of her apartment, look carefully at the end of the conversation. When her boyfriend turns and walks away, you can see where the green screen ends, with the crew members/cameras standing on the set. (00:09:25)
The Calzone - S7-E20
Continuity mistake: This mistake is in The Calzone episode. Towards the end when George walks in and his boss is looking around for the smell of calzones, George is holding a bag in his hand. In the next shot that shows the back of the boss's head the bag is now on top of a box that George is carrying. When it goes back to a close up the bag is in his hand again.
The Calzone - S7-E20
Factual error: When Jerry gets a speeding ticket, he asks Nicki to give the officer the registration. She gets a large piece of white paper from the glove compartment. That's what car registrations look like in California, where the show was produced. In New York, where it's supposed to take place, car registrations are the size of a driver's license, and are usually kept in the driver's wallet.
The Calzone - S7-E20
Other mistake: When Kramer is at the restaurant, as a favor for George, he tells the employee that he wants "three calzones." Then the employee just starts cooking the calzones. He never asks what ingredients/filling Kramer wants in those, and Kramer never says.
The Bottle Deposit (1) - S7-E21
Character mistake: When Jerry tells Kramer and Newman that they left their groceries under the hood of his car, he comments, "The AAA guy said I was this close to sucking a muffin down the carburetor." Jerry's car is a Saab 9000, which are fuel injected.
Continuity mistake: The scene which George arrives at Beth's apartment in a messy condition to admit his remark was in jest, his shirt's hem and collar change between shots. During this scene, especially when he talks to Jerry on the phone, his collar is up and down; his hem is in and out of his trousers.
Continuity mistake: While Jerry calls George from the coffee shop to tell him about the survey question, there is a shot of the waitresses and staff sitting at the tables. Behind them you can see the booths the gang usually sits at and there is a wall right next to the booth with pictures and pipes. Only problem is there are always booths next to the two near the front entrance. Even in this episode you can see the other booths as there are menus, condiments and napkins at the booths next to the regular booths.
Continuity mistake: When George is in the boardroom, he places his briefcase on the conference table, and opens it, with the top leaning against a carafe. As George yammers on, the briefcase is closed in a couple of shots, and then open again for the rest of the scene.
Continuity mistake: In the episode 'The Soul Mate,' there is a scene where Kramer is talking to Jerry's girlfriend in The Library with the help of Newman. Kramer elbows Newman through the shelf knocking some books down, but in the next shot we see Newman rising and the books are back on the shelf.
Continuity mistake: George has constructed a model of the boardroom when his briefcase was destroyed. Jerry thinks George should be represented by the Yellow M&M figure. When the camera shows a close up of the figure, Jerry is holding it in a different position than the far away shots.
Revealing mistake: When George puts down the hairdryer next to the picture of his "fiance", if you look at the bottom right of the screen, you will notice a blue flame most likely from a torch the crew used to create The Fire.
Continuity mistake: When George and Jerry are discussing Elaine's poor dancing, The Keys that are sitting on Jerry's kitchen counter inexplicably disappear between shots. (00:04:10)
Continuity mistake: In the theater, before The Movie starts, Brodie has his right hand on the outside of the candy bag in one shot, and suddenly in the next shot his hand is reached into the interior of the bag. (00:07:20)
Factual error: In the scene where Anna is standing with George beside his father's GTO, Elaine suddenly runs in and pries her away from George. Elaine and Anna get into the cab. As the cab pulls away, the side door is marked as an NYC cab with a taxi license number, etc., but the license plate in the back is a California plate.
Character mistake: When George tells Jerry about his date with Anna, he says he is picking her up in his father's 1968 GTO, but the car he is leaning on in the park is a 1967 GTO, which has a completely different body style.
The Fatigues - S8-E6
Continuity mistake: When Frank breaks open an egg in the close-up of the pan, we see there are more than half a dozen eggs in the carton. However, in a wideshot of the kitchen, the carton appears to have only about three eggs. (00:16:15)
The Fatigues - S8-E6
Continuity mistake: At the start of the episode, Cynthia is drinking a glass of wine. While speaking near the end of the scene, she is holding the glass in her right hand and says, "You know, guides you in your career path." The next shot is of Jerry and instantly the glass has disappeared from her hand with her right hand resting on the table. You can also see the glass is closer to her left hand now.
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73