Seinfeld

Seinfeld (1990)

297 mistakes - chronological order

(14 votes)

The Face Painter - S6-E23

Factual error: The Devils-Rangers game is at Madison Square Garden, but when the Devils score, a siren goes off. That would only occur in the event of a Rangers goal.

The Understudy - S6-E24

Continuity mistake: In the episode with Bette Midler, she is injured when George tackles her at home plate. When he hits her, she is knocked into somebody. When they show her again, she is sprawled against the backstop with no one behind or even near her that seems to be hurt. George also misses home plate.

The Understudy - S6-E24

Continuity mistake: When Elaine gets kicked out of the nail salon it is a clear day (in fact the whole episode is) then the next scene she meets J Peterman at night and in the rain. When she left the salon she is wearing a red blouse, no jacket. When she meets Peterman she is in a trench coat with a white blouse. The Peterman portion of this episode really makes no sense.

The Engagement - S7-E1

Factual error: At the end of the episode in which George and Susan get engaged, they are lying in bed together watching "Mad About You" on TV. However, at some earlier point on "Mad About You" it had been established in a crossover episode that Paul Reiser was the person who lived in Jerry's apartment before him and was an old acquaintence of Kramer's, meaning that "Seinfeld" and "Mad About You" existed in the same reality. On "Seinfeld," the show "Mad About You" could not exist.

The Hot Tub - S7-E5

Deliberate mistake: When Elaine comes home and doesn't find Sean Paul there, she runs to her neighbour across The Apartment. The neighbour opens the door and stands outside it then the door slowly closes behind him. Suddenly, the door opens again with a swoosh without anyone being there. Because the camera switches angle right after this, it is apparent it was opened to gain this shot or to at least permit it continuity wise. (00:16:40 - 00:17:10)

The Hot Tub - S7-E5

Plot hole: When Elaine is searching for Jean Paul in the streets, one of her verbal flashbacks is of Jean Paul saying, "I trust Elaine, she is my friend." However, Jean Paul made this remark to Jerry, and Elaine was not there to hear it. How could she have a flashback of it?

The Soup Nazi - S7-E6

Continuity mistake: In the start of the scene when Kramer tells Elaine that the armoire got stolen. When Elaine walks in from the right side she walks right past the armoire, and it still has the two blue straps on it so it's the same one. The gaffe seems to have been edited out in some versions. (00:09:50)

Tommy Btown

The Sponge - S7-E9

Factual error: During the AIDS walk there is an officer seen several times with a patch "Transit Police, NYC." Not only is the patch completely fictional, it doesn't look anything like the real transit police logo. The Transit Police had already been defunct by the time of this episode.

Michael Prete

The Rye - S7-E11

Plot hole: When George and Jerry are discussing The Rye bread scheme, George says Susan is working late that night, so she won't be around when he sneaks The Rye into the house. But when George reels The Rye in with the fishing pole, Susan is standing there with her parents, wearing her coat. When did she get home? She couldn't have entered through the front door, because Jerry was there tossing The Rye up to George. And since it's a New York City brownstone, there's no backdoor that's accessible. There's no logical explanation for her getting into the house to see George reeling in The Rye.

The Seven - S7-E13

Continuity mistake: In the scene where Elaine and Kramer are in Newman's apartment to debate who gets the bike, the first shot of Newman shows he inadvertently left his wedding ring on. The shot switches away and then back to Newman and his wedding ring disappears.

The Jimmy - S6-E19

Jimmy: Oh yeah, Jimmy's ready. Check Jimmy out. Jimmy's got some new moves. [Slips and falls from the water.] Jimmy's down.

Bishop73

More quotes from Seinfeld
More trivia for Seinfeld

Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

More questions & answers from Seinfeld

Join the mailing list

Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

Check out the mistake & trivia books, on Kindle and in paperback.