Jean G

Visible crew/equipment: When Mann's car spins out on the gravel and comes to rest facing the truck, you can briefly glimpse the cameraman (purported to be Steven Spielberg himself) crouching in the back seat. (01:04:25)

Jean G

Green Fingers - S2-E43

Visible crew/equipment: When the chauffeur opens the limo door, the camera and film crew are reflected in the window. (00:03:10)

Jean G

Cool Air - S2-E35

Visible crew/equipment: In the 1920s, Agatha takes a taxi to Muñoz's house. In the background, through the taxi's rear window, you can see a large white 1970s Universal Studios panel truck being loaded next to another building on the back lot. (00:02:45)

Jean G

Cool Air - S2-E35

Visible crew/equipment: When the landlady opens the glass-paned door, it reflects a large, round studio light. (00:04:10)

Jean G

A Fear of Spiders - S2-E12

Visible crew/equipment: While the janitor works on Justice's thermostat, a large piece of blocking tape can be seen on the carpet in front of the door in the background. (00:09:15)

Jean G

Visible crew/equipment: Segment 2: When Millicent talks to the lawyer in the study, the microphone dips into shot above their heads. (Trilogy is a TV movie, so the mistake can't be dismissed as a theater projectionist's error.) (00:29:05)

Jean G

Visible crew/equipment: Segment 2: During Therese's conversation with the doctor, part of the boom rigging can be seen overhead, glinting in the studio lights. (Trilogy is a TV movie, so it's not a theater projectionist's error.) (00:34:30)

Jean G

To See the Invisible Man - S1-E40

Visible crew/equipment: When the woman ignores Mitchell and rushes into her apartment building, the glass door she opens reflects the camera, crew and studio lights. (00:06:20)

Jean G

The Little People of Killany Woods - S1-E34

Visible crew/equipment: When it's opened for Mulvaney, the hardware store's glass-paned door reflects several large, round studio lights. (00:06:05)

Jean G

Death Wish on Tantalus Mountain - S5-E2

Visible crew/equipment: On top of the mountain, miles from any artificial light source, several studio lights and reflector panels are visible in the side of McGarrett's shiny black Mercury. (00:14:45)

Jean G

Tonia - S2-E17

Visible crew/equipment: At the end, when Scott and Kelly leave the corridor, the microphone shadow moves across the front of Scott's sweatshirt. (00:44:10)

Jean G

No Exchange on Damaged Merchandise - S1-E9

Visible crew/equipment: During the opening sequence, the bad guys' red Ford Galaxy reflects a bank of studio lights when the door is opened. (00:03:30)

Jean G

So Long, Patrick Henry - S1-E1

Visible crew/equipment: Kelly and Scott are being chased by Red Chinese agents and run up a flight of steps, passing two big studio light panels. When the bad guys run past the same place in the next shot, the panels are gone. (00:22:15)

Jean G

This Guy Smith - S3-E18

Visible crew/equipment: As Kelly is getting dressed in the hospital room, someone's shadow strolls across the floor in front of him. Scott is standing still, and no one else is there, so the shadow must belong to a film crew member. (00:13:35)

Jean G

Get Thee to a Nunnery - S2-E23

Visible crew/equipment: When Kelly and Scott get out of the taxi at the castle, the entire camera crew and lighting array can be seen reflected in the car's doors. (00:13:30)

Jean G

Visible crew/equipment: When Sarah drives away from the clinic in tears after seeing Johnny, the side of her car shows us two banks of studio lights, a reflector panel and part of the camera crew. (00:24:00)

Jean G

Is There Another Civilization? - S1-E24

Visible crew/equipment: When the news reporter tries to grill McCauley about the space collision, the boom mike dips into the shot at the upper right of the screen. (00:05:00)

Jean G

A Matter of Mutual Concern - S4-E11

Visible crew/equipment: As the mob bosses gather for their summit meeting, one of their big black Lincoln Continentals reflects several banks of studio lights when it comes through the security gates. (00:16:40)

Jean G

Contraband - S1-E21

Visible crew/equipment: While the crew are holding a conference inside the moonbase, an equipment shadow moves across the top left of the screen. In the same scene, a poor choice of camera angles also places two diagonal white ribs of a hatch door directly behind James Coburn, resulting in the bizarre impression of antennae growing out of his character's head. (00:12:00)

Jean G

Moon Cloud - S1-E20

Visible crew/equipment: When Carter follows McCauley and Holcomb to the moon crater, a sound equipment shadow moves across a rock in the foreground. (00:19:15)

Jean G