Continuity: When Jack, Elizabeth and Norrington remove the small chest from the larger one, and when Will kneels beside them, there are letters, etc lying on the large chest's lid, which change, disappear and reappear.

Continuity: During Jack's escape, as he attempts to flee from the cannibals, when he enters the hut there are silver objects, such as tea pots, etc, on the table, which change position in following shots; and the cup and saucer disappear in the shot facing the table.

Audio problem: Just as the waterwheel begins to roll away from the mill, watch Will and Norrington on top of it - the sounds of their swords clashing doesn't synch up with their actions.

Continuity: At the end of the film in Tia Dalma's hut, when Tia is handing out drinks, just before Gibbs gives his two cents about Jack, there is a wide shot of the whole group and Gibbs can be seen pushing away from the doorframe and standing up. The camera cuts to a closer shot of Gibbs, and he pushes away from the doorframe a second time.

Continuity: When Jack finds the silver spice can inside the hut, the word "paprika" is written in clean white lettering. But once he's outside, confronted by the cannibals, the word is suddenly covered in reddish powder - before he spices himself up.

Continuity: When Will is speaking with Cutler Beckett, Will’s knotted bow tie changes – note the level of its white lace.

Continuity: Just before he becomes Shishka-Jack, the rope wound around Jack’s arms is higher up at his shoulders, yet it is lower and taut in following shots.

Continuity: When Pintel and Ragetti's boat flips, the boat is seen firmly secure on the beach, well before they end up on the beach. That would only be possible if the waves crashed on the beach with a great force.

Continuity: When trying to flee, Norrington falls and drops his sword and the chest. As he crawls in the first shot, note the sword's hand guard and hilt. In the next shot the hand guard and hilt actually differ, though the handle itself is similar to the previous shot. (This has nothing to do with camera angle.)

Continuity: When Will enters Cutler Beckett's office, Beckett pours Will a drink in a stemmed glass. When Beckett walks back toward Will, there is considerably more liquid in the glass.

Continuity: When bound Jack begins his escape, he happens upon a young cannibal boy holding utensils, whose face and body are painted. A bit later, on the beach, the paint differs greatly - note the lines, etc.

Continuity: When Norrington walks into Beckett's office, things on his desk change position between shots.

Continuity: In the scene where the two sailors have found Jack's hat in the water, they try it on in turn. When the second man tried it on, the hat changes position between shots, with no time for him to move it. In one shot, one of the corners is facing front, in the next shot a flat side is facing the front.

Continuity: In the scene when Will is talking to Cutler Beckett, there is a clock behind them that is being hauled up at a very slow pace. But when the shot switches and there's a close-up on Will, the clock has disappeared. Despite the angle change, we should still be able to see the clock. There hasn't been enough time for it to have moved out of shot.

Continuity: When Cutler Beckett plays with Norrington's sword, as he begins to speak with Governor Swann, the step ladder is seen to Beckett's right - note its shadow on the wall map. The ladder changes position twice in the following shots.

Continuity: When Elizabeth speaks with Jack at the dock, about finding Will, her white pointed collar repeatedly jumps over and under the brown leather strap, at her right shoulder.

Continuity: After arresting Will and Elizabeth, when Cutler Beckett holds up Norrington's arrest note, the way the paper is folded and how he holds it differs between shots.

Other: The first time the Kraken attacks the ship, he breaks it clean in 2. One of the guys is right next to the tentacle when it breaks the ship, yet he is launched up into the air. If he was next to the break he would be pulled down into the water, the only way he'd be launched would be if he were at the opposite end of the boat.

Continuity: Aboard the Flying Dutchman, when Will sneaks in to steal the key, as the shot draws closer to Jones the quills are shown on the organ keys - with one leaning over the keys. In the next shot, as Will reaches sleeping Jones, both quills are leaning away from the keys, and an extra quill stick (feather free) suddenly appears.

Continuity: When the Flying Dutchman attacks the Pearl the cannon flies through the rear windows and slams into the captain's stateroom doors, leaving a debris laden door jamb. However, in the next shot when Pintel and Ragetti peer in, the door jamb is intact.