Continuity: When young Elizabeth holds up the medallion, and she sees the Black Pearl, her fingers are positioned differently in the wide shot and in the close-up shot of the medallion. Submitted by Rikki

Continuity: Will's facial hair darkens quite a bit in the time it takes him to walk from Elizabeth's house to his blacksmith shop. (The sword scene in the Governor's mansion was the first scene that was filmed with Orlando. His facial hair was not fully grown in because he had just arrived on set. On commentary.)

Continuity: When Jack jumps down from the mast yard arm on the Jolly Mon to bail water, in the far wide shot, the mast pennant lies still, yet blows wildly in the previous shots and the bottom left of the sail is caught up on line from the rigging, but in the following shots, it's not. Also, in the wide shot he starts to walk to the middle of the boat, and he puts his arms out as he's starting to pass to the right of the mast. In the next close-up of Jack, he's passing the mast on the other side. Submitted by Rikki

Continuity: When Jack sails toward Port Royal, he passes the skeletal remains of hanged pirates, to whom he pays a respectful bow. First, there are two wideshots of the skeletons, then in the close-up they are actually wearing more clothing, particularly the strapping middle guy, whose head position differs, and his straw hat is larger as well. Submitted by Rikki

Continuity: Jack walks past the dock master, behind Jack the desk is on a wagon and the handle is leaning on the left side of the desk. Also the feather quill on the desk is leaning towards the back of the desk. When Jack walks away and takes the sack of money, the handle of the wagon isn't leaning on the desk and the feather quill on the desk is leaning forward towards the front of the desk. Submitted by Rikki

Visible crew/equipment: When the dock master tells Jack, "Hold up there you. It's a shilling.." seen in the background on the left of the screen is a thatched roof enclosure. An orange aluminum ladder is sitting under the thatch! Many of the crew's orange aluminum ladders of various heights can be seen on DVD 2. Submitted by Rikki

Continuity: At the Fort, the two columns of soldiers separate and Norrington walks into view. It's shouted, "Right about face," and the soldier behind Norrington on his left has his black bag to his side. When "present arms" is shouted, the soldier's black bag is in front. Also, Governor Swann, in the front wide shot, is standing on the second step from the bottom. In the next close-up, he's standing on a step further up - the soldier to his left in the previous shot was standing on the same step as him. Submitted by Rikki

Continuity: On the dock at Port Royal, Jack is speaking with Murtogg and Mullroy, who are guarding the dock from civilians. Seen behind the Marines to their left is the vacant dock edge. Yet when Jack holds Elizabeth hostage, the same dock edge is seen, but in this shot the edge is now filled with barrels and sacks. No one was on the dock between these two scenes. Submitted by Rikki

Continuity: After Elizabeth falls off the ramparts, the first shot is of an unconscious Elizabeth under water, and her right shoe is not on, at the heel. In the next two shots, the shoe is perfectly on. Submitted by Rikki

Plot hole: When Elizabeth's maids lace up her corset, obviously both the back and front laces were pulled very tight, as this is the reason for her discomfort and eventual lack of air. After Jack rescues her, as she is on his shoulder we see the two sides on the back of her corset are far apart and the laces in between extremely loose. Yet, when she is lying on the dock, Jack slices the front laces on her supposedly constricting corset so she can breathe again! Submitted by Rikki

Continuity: After Jack rescues Elizabeth, he slices the front ties of the corset she is wearing, and gives the corset to Murtogg. As he hands Murtogg the corset in the first shot, the corset is right side up, because we see the waist flaps at the bottom. In the next shot, as Jack's hand lets go of the corset Murtogg is seen holding the corset upside down with the shoulder straps at the bottom. In the next shot, a close-up of Jack, in the background Murtogg is holding the corset right side up, and the waist flap is seen. Submitted by Rikki

Continuity: After cutting the corset, Jack picks up the medallion in a close-up shot of Elizabeth and her hand is next to her head. In the next wide shot, as Norrington rushes over, her arm is stretched out, up past her head. In this wide shot, the neckline of her slip is different than the two close-ups, before and after. In her next close-up, her hand is back near her head again. Submitted by Rikki

Continuity: Just before Captain Jack Sparrow threatens Elizabeth Swann, watch her medallion. In one shot the medallion is over her dress, but in the next one, it is under it again without anyone having touched it. In the following shot, when Jack puts the chain around her neck, it is out again.

Revealing: During Jack's escape, as he's swinging about, in the background of this shot, the Dauntless is not seen moored, as it was in all the previous shots of Jack's opening scene, including being seen past Interceptor, from the angle of the running British Royal Navy. Submitted by Rikki

Continuity: At the blacksmith shop, in the close-up, the palm of Mr. Brown's hand faces upright, when he drops the bottle. In the wide shot, the palm of his hand faces down. When Jack approaches him, the palm faces up again. Also in one shot, one end of Mr. Brown's red scarf is sticking out of his smock and in the next shot, both ends are out. Submitted by Rikki

Continuity: When Jack holds the chain to Elizabeth's neck, when he flees, while he is flying through the air, when he throws the chain over the rope, as he slides down and then runs away, the shackles go from being over the sleeves to being on his bare wrists with his sleeves pulled up, then back over the sleeves again repeatedly. Then when Jack approaches drunk Mr. Brown, the shackle is on his bare wrist as seen from the front of Jack, but in the shot from his side, the shackle is over the sleeve. This continues throughout this entire scene; Jack's left sleeve goes from under the shackle to rolled up to his elbow then back under the shackle. Submitted by Rikki

Continuity: When Will first sees the hammer it's lying on top of the anvil almost parallel with it. Right before Jack says, "You know what you're doing, I'll give you that," as Will sticks his sword towards Jack's legs, the hammer's seen to Jack's right, perpendicular to the anvil. In the next shot, when Jack actually says those words, the hammer's lying parallel to the anvil again. Jack says, "If I step here," and the hammer's perpendicular to the anvil again. Then in the next few shots, once again the hammer's parallel to the anvil. Even in the 'parallel' shots, the hammer's lying a bit differently. Submitted by Rikki

Continuity: When Jack first confronts Will at the blacksmith shop, seen behind Jack, hanging on the stone wall near the fireplace are iron masks and other paraphernalia. Later, when Jack sprays the soot at Will, the iron masks and paraphernalia are arranged differently on the wall. Submitted by Rikki

Continuity: At the blacksmith shop, one end of the cart that Jack and Will duel on later is resting on a wood bench. In the close-up shot of their feet, just before Jack says, "Ta," the edge of the cart is flush against the edge of the bench. In the wide shots, before and after, the edge of the cart is in the middle of the bench. This has nothing to do with the angle of the camera. Submitted by Rikki

Visible crew/equipment: At the blacksmith shop, Jack and Will start to duel and Jack asks, "But how's your footwork?" In the next close-up shot of their feet, the imprint of a modern, flat bottom trainer/sneaker sole can be seen on the dirt floor at the bottom right of the screen. It is not the imprint of a heel and sole of the time period. As a point of interest, on the video version of this film there are multiple imprints visible! Submitted by Rikki