Visible crew/equipment: When Sarah is being loaded into the ambulance, the boom mike's reflection is briefly visible in the left rear window. You need slow-mo to notice this one.

Revealing: When Arnie drives through the police station, the cop is just sitting there. Not only that, his skin is a lot paler. It is so easy to see that it is a dummy.

Continuity: Early on in the film Kyle cuts the wooden handle of the shotgun with a saw, but then later on when they are in the car park hiding from the cops you can clearly see that the handle is back to its original size.

Continuity: In the scene where the Terminator enters the police department and he bends over to say "I'll be back" you can see through his shades and he has both of his eyes, despite cutting one out in an earlier scene.

Continuity: In the Tech Noir Bar, the same woman - blonde with a pink or orange dress - must have come dancing with her twin, because while she's sitting behind Sarah Connor when the laser beam is pointed at her, she's also dancing near Arnie. The T-800 moves past her when he sees Sarah Connor and moves to shoot her.

Continuity: After the Endoskeleton emerges from the diesel fire look at his teeth. They're clearly metallic when he stands up and chases after Sarah and Kyle, then when he enters the factory his teeth are white enamel. Then when he's fighting with Kyle they're metal again and finally they turn white after he's blown apart.

Revealing: In the second 'future war' sequence where a female soldier is practically vaporised by a passing HK tank, watch her flaming remains. You can see the (exceptionally fake looking) head of the stand-in dummy tumble away from the body.

Continuity: After the Terminator discovers Sarah's mother's address in the little address book of Sarah's, the next shot shows the Terminator leaving his room and going to Sarah's mother's. In that track shot down the hall look at the Terminator's shoes. He's wearing white trainers instead of the black boots he wears for the whole other time in the film.

Revealing: The second future war segment: During the wide shot where Kyle and the female soldier are following the HK Tank, most of the plasma shots fired from said tank seem to come from above the gun turrets and not out of the barrels.

Continuity: In the scene where Sarah and Kyle are escaping in the car they found in the alley after leaving the nightclub, Tech Noir, we see Arnie jump onto the hood of their car in flames. While he is in mid-air during the jump, he is on fire but as soon a he lands (the next shot) the flames are gone.

Visible crew/equipment: In the scene where the terminator is blown up inside the gas truck and you think it is destroyed, Linda Hamilton and Michael Biehn begin to hug. In the shot where the terminator begins to rise from the destroyed truck, look just a little to the right of Linda's head and you'll see a mans head pop up and his hands pull down on a lever that makes the terminator rise up.

Visible crew/equipment: In the scene were Kyle and Sarah are speeding away from Arnold in the truck, Arnold starts shooting the truck with Kyle driving. When Sarah and Kyle decide to switch (passenger, driver), the camera shows them switching but there is a stuntman in place of Kyle. If not he has gained some weight in the cheeks and grown a big mustache during the course of 2 seconds.

Continuity: Early in the movie, prior to heading out to the bar where she first sees the Terminator, Sarah Connor is holding her iguana at her apartment while talking to her roommate. In the first shot, she is holding it with her left hand under the lizard's chest. The film cuts to a different angle, and now the lizard is resting against her shoulder, with Sarah's left hand on its upper back. It cuts back to the original angle and again her hand is supporting the chest.

Continuity: After Reese blows the Terminator in half in the factory near the end, we see Sarah in a heap on the ground and chunks of endoskeleton (what looks like part of a leg) laying between her and the camera. The shot changes as she looks around. When the shot changes back to her (as she tries to move and discovers her leg injury) most of the endoskeleton chunks are gone - particularly the large one that was between her and the camera.

Continuity: When The Terminator is searching through Sarah's address book in his apartment he has flies on him. There is one on his forehead, but when the janitor knocks on the door, the Terminator turns his head towards the door and cusses at him but there is no fly on the forehead. When he turns back and continues reading the fly is again on his forehead at the same exact place on the forehead.

Factual error: In the scene after Arnold says "I'll be back", it shows the desk cop writing a report with a pencil. Any public servant or corporation knows, reports are only written with BLUE or BLACK INK... NEVER with a pencil.

Revealing: When the Terminator takes out his "fake" human eye, he looks into the mirror. It is very obvious it's a dummy: 1) He has unnatural movements. 2) His skin is a lot paler, and not shiny. 3) His hair style has changed. It's easier to tell in the following shot, as he looks closer to the mirror that he's changed back to "real."

Continuity: During the final chase scene, Sarah loses control of the pickup and it rolls over, as it rolls you can plainly see that it has no engine.

Visible crew/equipment: When Schwarzenegger rises to his feet after getting blasted out the window, a production vehicle and a couple of huge stage lights behind him are visible.

Continuity: When the Terminator punches through the car window, there's broken glass all around the window frame. When he closes the door, there's only a little glass around the top of the frame.