Visible crew/equipment: A possible cameraman's hand with a wedding ring holding a bar with the camera is visible as one of the victim looks down a two way route. (00:24:50)
Visible crew/equipment: When Mulder and Scully enter the abandoned mine through a doorway, the viewer can see at right in the distance a number of people sitting on a wall, and one crouching in front of the wall with what looks like a dog. They are sitting still, but there is still movement there. (00:16:00)
Visible crew/equipment: When Gibbs and Ziva are in the "safehouse" Ziva set up for Ari, a crew member and his boom microphone are seen on the left of the screen, right before Gibbs climbs the ladder to remove the hidden camera spying on them. (00:30:10)
Visible crew/equipment: When Nina's just been shot, and makes it to the barn to call CTU (around 7.10am), while she's speaking on the phone there's a cameraman visible on the right hand side (DVD). (00:12:40)
Hell House - S1-E17
Visible crew/equipment: When Dean, Sam, Ed and Harry have just shot Mordechai, the cameraman's arm is visible on the right-hand side of the screen. (00:33:30)
Visible crew/equipment: While Benson and Stabler apprehend their suspect in a church, at least one crew member appears on the right side of the frame for about 5 seconds where no one should be. (00:25:45)
Since Aunt Ada Came to Stay - S2-E9
Visible crew/equipment: Before Craig finishes speaking with Joanna and puts the car in reverse, a set crew member in a blue shirt is seen in the driver's side mirror.
Visible crew/equipment: When Hurley is at the new house, after his mom hurts her ankle, he reaches into the car window to get the cell phone. When he begins to dial, the cameraman's arm moving about is reflected in the back chrome of the side view mirror. (00:12:10)
Thank You for Not Morphing - S1-E3
Visible crew/equipment: In the scene where Prue comes home and finds Andy inside the manor. There is a shot where if you look behind Andy's shoulder you can see half of the body of the director in the background in the observatory room sitting in a director's chair. (00:16:00)
Stopover in a Quiet Town - S5-E30
Visible crew/equipment: When the camera pans to Rod Serling for his opening narration, you can very briefly see several crewmembers and some backstage equipment.
Visible crew/equipment: At about 30 minutes into the episode, right after Cal says: "if Jeffrey knows about priox, he's going to jail. But I'm gonna be damn sure before I send him there", you can see a hand in the top right corner of the screen.
Mr. Monk Is At Your Service - S5-E12
Visible crew/equipment: In the scene where Natalie arrives to the dinner party "pregnant" and Mr. Monk is going to "help her with her coat" there is a female crew member on the other side of the sliding door (to the left of the door). (00:31:25)
Visible crew/equipment: When they are at the crime scene, you can plainly see the camera and camera man reflected in Special Agent Lundy's sunglasses several times. When it is a close up shot, it is even more obvious.
The Werewolf - S1-E5
Visible crew/equipment: In the cabin scene between Eric Braeden and the ship's purser, the shadow of a boom mike and a crew member can be seen.
Visible crew/equipment: Episode 1065, year 1995. The shadow of a boom mike against the wall is visible as it rises out of the scene when Barnabas and Julia exit the room.
Visible crew/equipment: At the end of the episode, when Alicia is listening to the audio recording on her laptop in bed, you can see the hand of a crewmember on the corner of the white cupboard at the left side of the screen. (00:42:45)
Visible crew/equipment: In the foot-chase-on-the-beach scene, there are tracks in the sand from the camera crew's truck. They vanish and then reappear when the camera angle changes.
Visible crew/equipment: When Sherlock and John get into the taxi in Baker Street (leaving to go to the scene of their first case) you can see a filming crane reflected in the back of the taxi.
The Case of the Lucky Loser - S2-E2
Visible crew/equipment: After leaving her husband at train station, Harriet takes a cab to meet a man at a cabin. After a few mins, she takes the man's car to go home. As she drives away, there's a reflection of a man, in suit with glasses (possibly the director) standing offscreen. (00:05:20)
Home Is Where the Heart Stops - S1-E7
Visible crew/equipment: When Castle and Beckett step into the elevator whilst talking about The New York Review of Books, a cameraman is reflected in the left door of the elevator as it closes and the scene ends.