Question: I don't really understand why Jodie Foster's character didn't tell the police something was wrong when they came to the door. I know she was worried for her daughter but the robbers couldn't overhear and she could have asked the police to come back later, giving her a chance to smash the cameras. Also, considering that she emphatically denied there was anything wrong, why did the police return later with all the guns etc?
Answer: But if Jodie Foster was so keen to placate the burglars and protect her daughter's life then why did she smash the cameras after the police left? It doesn't make sense.
She smashed the cameras, so the thieves in the Panic Room couldn't see what she was doing. That's why the thieves had said, "Why didn't we do that?"
Answer: The cop told Jodie "if you can give me some kind of signal." Jodie runs her fingers through her hair, that's the signal.
Answer: One doesn't ask the cops to come back later, especially when one's daughter's life is a stake. Also, the cops came back because they just didn't believe her and felt that something was up (call it intuition).
Not only that, Jodie Foster said that "they were good", why would she say that they are good if not that they were right?
Question: Why does the young red-headed nun, that doesn't sing very loud (can't remember her name), wear a different habit?
Answer: It is because she is not, technically, a nun yet. She is a novice, one who is in the "trial period" of becoming a nun, but who has not made the final vows to join the order.
She doesn't wear a white cap in the second movie either, and she did her vows.
Question: In the scene right when they leave the hotel after the wild night, they see Doug's mattress. Is there any significance to the guy that turns to them and says some people just can't handle Vegas?
Answer: His name is Chuck Pacheco and he's an actor/director. He played Chuckie in the movie Alpha Dog.
Answer: I'm sure the guy Phil asks is a famous golfer, just not sure who. It is significant in what he says, because the Wolf Pack couldn't handle Vegas, so it was a sideways slap to them.
Question: Is this a true story? The ending with text "John W. Creasy" and lifetime dates makes it seem like a true story.
Answer: Daniel "La Voz" Sanchez was based off the kidnapper Daniel Arizmendi López and Aurelio Sanchez was based off his bother Aurelio Arizmendi López, so some of it maybe true but not a lot.
Answer: No, the movie was based on a fiction book. The book takes place in Italy, and the kidnapping ring is run by the mafia.
Answer: The movie was completely lifted from a much better 1987 version of the same story.
Question: When the guards are talking to Percy in the restraint room, Paul says he knows he sabotaged Del's execution. Why did he let him get away with it?
Chosen answer: Percy's aunt is married to the state Governor, giving Percy powerful connections. All it would take is one phone call from Percy and Paul and the other guards could lose their jobs and if Percy wanted to, never find jobs again. Something Paul or his friends didn't want to happen.
The characters talk about this several different times in the movies, how political connections can ruin careers.
Question: How does he fold the Monet in half to fit into the briefcase? Originally I thought he'd separated it from the wooden frame (ie. just a canvas), but when he takes it out back at his house he holds it up, and the wooden frame's still in one piece. Also, surely folding it in half would crack the paint, but despite the painting being twice the width of the briefcase (it fits snugly when the case is open), he then shuts the case down to a "normal" size. Any ideas?
Answer: I believe that the Monet that Crown hides in his study is not the one that was stolen, it is a copy that he already had prepared. He can enjoy the copy knowing that the original (with the broken spreader bars) is also in his possession. The stolen original then goes to the forger who repairs the broken spreader bars, and then paints another painting (using water soluble paint) over the Monet, so he can "return" it to the museum 3 days later. It gets more complicated when he discovers that Russo is on to him so he has a second forgery made (even the edges forged to match) over the top of "Dogs Playing Poker." He doesn't know if it will be necessary, but given his research into his new adversary, he concocts this contingency. It is likely that he has many contingencies in place, but the "Monet with a ghost underneath" is the only one we get to see. Of course for my theory to hold water, there must be (or have been) that earlier forgery - unless it has been destroyed.
Answer: The only explanation I can come up with is that the inner part of the frame is precut. With the frame cut that way it would allow the picture to fold, but when unfolded it would be fairly rigid with the exception of bending it forward at that point. When he pulls the painting out, it still holds the square shape of the frame. Best I can come up with.
Answer: He doesn't fold it. The frame is solid. It's just movie editing to make the viewer think he put it in her briefcase. You can't fold a Monet.
He absolutely folds it. We see him put it in the case and him then shut the case, folding it in half.
Question: What did the trooper mean when he said, "Didn't you know this ain't Saturday"? It always makes me wonder.
Answer: The trooper on the motorcycle had just landed in the water. In older days, the typical day to take a bath, wash hair, etc. was Saturday. The trooper in the car (once he saw the motorcycle trooper was okay and wet) just made a joke about him taking a bath.
Answer: I think the trooper makes this joke in reference to Evel Knievel, a popular performer of the day. His shows, which prominently featured motorcycle stunts (particularly jumping) usually occurred on the weekends (i.e. Saturday).
Question: I can not figure out how in the world agent Starling makes the connection about where Buffalo Bill lives. I don't understand the connection she makes at the house where she finds the pictures and says "you covet what you see" It has driven me crazy for years and I need help. How does she figure it all out?
Answer: In Frederika's bedroom Clarice sees the dress being made and recognises that the pieces of material are the same shape as the pieces of skin missing from the victims' bodies. In the bank, where Clarice meets Frederika's friend, Stacy tells her the address of 'Mrs Lippman' whom Frederika used to work with. Presumably Buffalo Bill is related to, or is, Mrs. Lippman since that is where Clarice finds him.
He's not Mrs Lippman. He did, however, kill her. As Clarice chases him through the cellar, the woman's decomposing body is in a tub.
Answer: "You covet what you see": Agent Starling looks out the window of the girl's house to see who the neighbors are, who may have been watching the girl.
Question: You'll have to forgive my ignorance regarding a comment made by Matt Farrell. He said that it took FEMA five days to get water to the Superdome. What exactly was he talking about?
Chosen answer: In 2005, Hurricane Katrina ravaged the city of New Orleans, with many of the residents temporarily housed in the Superdome. FEMA (Federal Emergency Management Agency) was highly criticized for their response (or lack of), including how long it took to supply the Superdome with adequate water and food. Matt's pointing out to John how the government isn't nearly as capable of responding to disaster as people think.
Question: Where did the money come from that was sent to David Gale's wife?
Question: At the very end, what was in the plastic bag that Tommy Lee Jones' character gives to Harrison Ford?
Answer: It's a cold compress. You squeeze it, and the inner bag breaks mixing chemicals and it gets very cold. It helps to minimize swelling. He gave it to Kimball for all the bruises he had.
Question: What is the significance of the flintlock pistol the Elder Predator gives Danny Glover?
Answer: As a reward for besting the Predator in combat, he proved himself a fierce warrior worthy of praise and the gun was a token of their respect for his strength.
Answer: It's a reference to the comic where a pirate and a predator became somewhat friendly. The gun was given to the elder predator by the pirate as a thank you gesture. The elder predator then some few hundred years later gave it to Glover as a congratulations.
The comic came out years later to give a back story to the pistol. The only significance of the pistol is to show how long the predators have been coming to Earth.
Question: In the movie they state the colonel cannot be charged because the crime was committed outside of the United States. All active members of the US military like the colonel are subject to the uniformed military code of justice no matter where the crime was committed, so how did the colonel prevent the military justice system from being able to charge him?
Answer: You are completely correct. This is a clear mistake, the colonel could (and would) most certainly be charged for his crimes.
Though unlike the movie, it's not up the attorney to decide if a military member gets charged, it's up to the judge advocate general.
Actually it's not a mistake. The colonel is not a member on active duty in the service. He's ex military. He's the one running the contractor group that carries out the senator's dirty deeds.
Answer: Receiving retirement pay and being in the IRR confers jurisdiction, even over retired military personnel.
Answer: "The colonel" was not active duty military, BUT as a retiree he is still subject to the UCMJ.
How are retirees subject to the UCMJ?
They're not, generally. Some service members who've served for more than 20 years but less than 30 are or were subject to the UCMJ. There was a recent legal opinion overruling this though. https://www.military.com/daily-news/2019/08/09/new-bombshell-legal-opinion-says-military-retirees-cant-be-court-martialed.html.
Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.
Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.
Question: Jessie is using a car design program from the Supra. Does anyone know either what the program is or where to get it?
Chosen answer: It's not a real program, just some CGI. As well as when the pictures of "what it could look like" show up. Those are existing pictures of the car.
Question: This question applies to the whole series. Why do some of the people who actually manage to survive Jigsaw's traps end up working with him instead of either helping capture him or killing him and insuring that no more innocent people get killed?
Answer: Jigsaw's traps would more than likely leave a person mentally unstable, which could result in Stockholm Syndrome, a condition which involves a victim sympathising with their captor. In fact, after Lawrence Gordon escapes the bathroom after severing his own foot, Jigsaw nursed him back to full health, thus gaining his trust (this is shown in Saw VII). He also plays mind games on people, which is shown in a flashback in Saw III in which he convinced Amanda to side with him. In her unstable state of mind, she realised that he was the first person in her life she could actually relate to, and thus became an accomplice.
Answer: 两个王八蛋 （You two bastards), 你不就要我们死 （You wanted us to die), 现在我自己来，我来了! （Now I do it myself, I am here!) 我现在主动来了！ 我来了！（I am doing this on my own now!).