Plot hole: When Renee Russo was reviewing the tape showing the room with the painting to see who stole the painting, and the tape was blank because the heat generated from the suitcase hidden under the bench, why didn't she just back up the tape completely to see who put the suitcase there in the first place?

Continuity: In the opening sequence, when Crown decides to walk and has "Jimmy" meet him at the office, he is almost run down by a truck. First of all, the truck has to skid to a stop, yet there is a car no more than ten feet in front of it when they change camera angle. Why was the truck going so fast in the first place. Secondly, when Crown motions for the driver to pass, the same car is still stopped directly in front of the truck, yet the truck speeds off in a way that it should smash into the car in front of it.

Continuity: During the scene when Thomas Crown is sailing, you can see the weather change from very dark and stormy, to just cloudy, to blue sky and sun, depending on the shot.

Revealing: During the catamaran sailing scene, the boat jibes and Brosnan leaps across the trampoline and starts grinding on an empty winch, with no line in it.

Continuity: In the scene where TC and Catherine Banning are having breakfast together at TC's house, Jimmy brings Catherine her green shake to drink. In one of the first shots, the glass is only about two-thirds of the way full, however, in the next shot, when she goes to take her first sip of it, the glass is almost filled to the top.

Continuity: When the "thieves" are preparing the impressionist wing and inform Thomas Crown that the exhibit is closed, Crown responds with "It's only a quarter to five". Shortly after when the surveillance footage from the time of the robbery is being reviewed, the time stamp on the monitor says 5:54. I doubt that the whole robbery took 1 hour 9 mins, when the time in the movie was around 3 minutes. Submitted by Shaun Ewing

Factual error: The Monet stolen by TC is credited as being the first painting in the Impressionist school, a clear reference to Monet's "Impression: Sunrise" of 1872. However, the painting shown during the entire film is "San Giorgio Maggiore by Twilight," a 1906 Monet painting.

Continuity: When TC opens the briefcase to steal the Monet, the thumb of his latex glove is ripped wide open, which would leave fingerprints. After he places the painting in the briefcase, the next shot shows him closing the brief case and the glove has magically repaired itself.

Other: Near the start of the movie when Thomas Crown enters his office for the first time, he uses a magnetic swipe card to access the elevator to his office. After he swipes the card, you can hear a 'ding' and the sound of elevator doors opening but you'll notice as he first inserts the card into the reader that the doors are already open. Submitted by Shaun Ewing

Continuity: When Thomas and Catherine are having breakfast and his servant Paul brings Catherine's special "green" drink, it changes colors. When Paul has it on the tray and sets it down on the table, it is a very deep olive green. When she goes to actually drink it, it's now a light pastel turquoise blue color. Submitted by Luna Negra

Factual error: During the scene where the thieves are coming out of the Trojan horse, during a shot you can see a pile of sawdust in a cone formation on the ground. This formation couldn't have formed since the thief was sawing a line in the horse, not drilling one hole.

Factual error: The helicopter that was supposed to be used for the theft at the beginning is a Sikorsky S-76 and they said it would be useless because it can hold only a payload of 300kg. This helicopter can actually carry 4000kg or 12 passengers. Submitted by Dr Wilson

Factual error: The man in the security room, when watching the thermal video footage states that the thermal cameras needs a difference of ten degrees (or something like that), thermal cameras operate within a range of two degrees so it would have to be a fairly rubbish camera and that's unlikely, seeing how it's guarding a Monet and all.

Plot hole: At the end of the movie when everyone is standing in the gallery looking at the painting now back in place (with the smoke and sprinklers still dripping) they notice that now there is a new painting missing, the one Thomas stole for Catherine. However, none of the other metal wall coverings open or move except for that small side one revealing the empty frame on the wall. This makes no sense why only that one would suddenly open and none of the others. Submitted by Luna Negra

Continuity: Thomas Crown comes into the police station to identify the thieves. As he is getting ready to leave, Catherine eavesdrops on his conversation as she fixes herself a cup of coffee. She then watches him out the window, drinking her coffee, as he runs to his car. The paper coffee cup changes from a purple swirl design with a little bit of green to a blue and white, geometric border with what appears to be an Asian design. Submitted by Luna Negra

Revealing: During all shots of the actual glider, you can tell very obviously it is two stunt men in very bad, fake looking wigs. The one up front, "Catherine" now makes her look like a football player. He also has on a long red wig that goes to his shoulders, which is longer than Catherine's hair. In one aerial shot, the stuntman sitting in the rear, which is supposed to be "Thomas", has this dark black bowl cut wig that is parted down the middle and slicked to his head. Submitted by Luna Negra

Revealing: During the glider scenes, they use aerial shots of stuntmen in a real glider and then a prop/dummy one with a blue screen for the close up shots of Thomas and Catherine inside the cockpit. The actual glider has a second rear cockpit control box that you can see in all the aerial shots.The rear pilot is at least 5 feet back from the front one. In the close-ups, with the prop/dummy one, the rear cockpit box is gone and they show Thomas actually leaning on Catherine's back. The actual glider also has a much larger wingspan, fuselage, and cockpit. Again, you see this during the take off shots and all the aerials. When they land in the field and crawl out of the dummy/prop, the tail is only about 5 feet back from the cockpit. Submitted by Luna Negra

Continuity: When they land in Martinique, and are on the airstrip loading up the vehicles, their luggage and the painting go into the second vehicle, a shiny black jeep. However, when they show the aerial shot of them climbing the mountain to Crown's house, the jeep is now painted in camouflage colors. Submitted by Luna Negra

Revealing: During the glider scene when they show the close up of Catherine's face with Thomas leaning over her from behind, waving his hands, if you look at her sunglasses you can see all the white screens, the camera crew, the reflection of his hands, etc. You can see this every time they show a close-up of them from the front of the glider. Submitted by Luna Negra

Revealing: At the beginning, when Thomas Crown is in his car, getting ready to get out and walk up to the museum, they show a close up of his wrist watch to set the time; it says 9:08 a.m. A few minutes later when he is sitting inside the gallery eating his breakfast croissant, if you look carefully at his watch, it shows 4:30. In various other shots, it also shows 5:25 and 6:30, indicating at least 2 hours spent shooting the gallery scene. Submitted by Luna Negra