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Richard Kimble: I didn't kill my wife!

Sam Gerard: I don't care.

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When "Richard" starts to limp it wasn't planned, Harrison actually hurt a ligament in his knee shooting a promo for the movie, a promo that wasn't even part of the movie. He refused to receive treatment until filming was finished and ended up needing surgery. See more...

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The Fugitive (1993) - 37 mistakes

Directed by Andrew Davis, starring Harrison Ford, Joe Pantoliano, Julianne Moore, Sela Ward, Tommy Lee Jones (add more)

Genres: Action, Crime, Drama, Thriller

Mistakes
Trivia
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Other: When Kimble takes the elevator to the conference to confront Dr. Nichols, he presses a button, but the one beside it is the one that actually lights up. In this particular elevator, the button he pressed is the one that should have lit up.

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Continuity: When the bus full of prisoners rolls down the embankment, it finishes up lying parallel to the train track. Yet in the next scene, the bus is clearly lying across the train track.

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Continuity: When Kimble is calling his lawyer close to the EL-train, he says something and then you hear the "clang" from the train's bell. You only hear it once. However, when the police records the call and plays it, the clang sounds almost constantly during the conversation.

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Continuity: When Kimble goes back to the hospital as a janitor to check the hospital computer, the lady working in the lab is wearing two different dresses.

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Continuity: During the scene in the dam tunnels, Kimble holds Gerard at gunpoint. In the first close-up, Gerard has three strands of hair that are all apart from each other. The shot cuts to Kimble and back to Gerard, and the strands are all together. Then it goes back to Kimble, who says "I didn't kill my wife." When it goes back to Gerard again, the strands are apart once more. We know he couldn't have moved them because he has his hands up. Later, when Gerard is holding up Kimble at the tunnel opening, there is only one strand on his forehead.

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Continuity: When Kimble is fighting the one-armed man on the train, the one-armed man shoots the metro-cop, then he and Kimble fight some more. Kimble knocks him out with his gun (silver). He goes to check on the cop, sees he's dead so he takes his cuffs and gun (black). He cuffs the one-armed man to the rail puts his gun (silver) into his right pocket, and the cops gun (black) into his left pocket, and then makes his escape. Later on, he dumps the guns into a mailbox, but he pulls the silver gun out of his left pocket, and the black gun out of his right pocket. The guns changed pockets before he dumped them.

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Continuity: When Richard Kimble is being chased by Tommy Lee Jones in the St. Patrick's Day parade, there are three clock shots (on sides of buildings and whatnot), all of which show totally different times.

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Other: When Harrison Ford is being chased in an ambulance by the police, there is a shot of police cars heading towards the waterfalls in the background. If you look closely, the water is not moving.

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Visible crew/equipment: During the chase scene in the access tunnels under the dam, there are several shots where the camera is in front of Harrison Ford moving backwards, showing him as he runs from Tommy Lee Jones. You can see the tracks that the camera dolly is riding on.

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Audio problem: If you listen carefully to the conversation Kimble has with his lawyer, he says "St. Louis" differently in the live version and the police recording, indicating the crew may have used two different recordings.

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Continuity: During the scene where Kimble is running from the dam, his hair is all messy and wet. yet, when he falls over into the leaves several shots later, his hair is nicely combed with a parting.

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Audio problem: When the cops are monitoring Kimble's phone call to his lawyer, Gerrard says, "That's a guy on a PA in the background", or something similar. During the actual phone call that Kimble makes, their is no PA audible in the scene at all.

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Continuity: During the bus accident , Richard Kimble is handcuffed. When the bus is falling, you can see that he has no handcuffs on, but then when he asks the driver to uncuff him again, he has them back on.

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Continuity: After the bus has crashed they show a shot of a dead convict with his feet against a broken window, looking out at the train. Two or three shots go by and his feet are in a different position each time.

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Continuity: Kimble runs out the Grand Ballroom and ends up in the Presidential Suite in another fight. The doors he goes through out of the Ballroom actually lead into the Foyer for the Continental Ballroom, both of which are on the second floor. That Presidential Suite is on the 27th Floor.

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Factual error: When Dr. Nichols leaves the damaged elevator, and Kimble later exits (the infamous arm in the door shot), neither would be possible as the elevator was emergency stopped by Nichols and can be seen positioned just below the floor. The elevator doors would not line up with the floor doors, and both sets would need to be manually opened.

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Other: After Kimble has been rescued from the train wreck and unchained, he escapes, running alongside a body of water. As Gerard announces to the other officers that there's a fugitive on the loose and gives instructions, Kimble is seen running again, in a replay of the earlier shot. Not only are all the same landmarks in place, but at the end of both sequences, he moves his arm to shake off a branch that's snagged him.

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Continuity: In one scene, the ambulance is clearly marked FDNY even though the action takes place in Chicago.

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Revealing: When Dr. Richard Kimble is nearly run over by the freight train, look closely at the axles of the locomotive passing overhead. Diesel locomotives have large electric motors on each axle that actually propel the train. These electric motors are missing which would be similar to a car without a transmission. There is no way for a locomotive to move under its own power without these electric motors.

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Other: When Dr. Nichols hits Dr. Kimble with a chair, look carefully. As Dr. Nichols swings the chair, it starts falling apart before it even makes contact with Harrison.

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