Continuity mistake: Kimble dyes his hair very dark to escape detection and dyed hair fades over time. For the rest of the movie his hair noticeably goes from darker shades to lighter shades and back again showing that the scenes were shot non-sequentially on different days with a fair amount of time in between.
The Fugitive (1993)
Directed by: Andrew Davis
Starring: Julianne Moore, Tommy Lee Jones, Harrison Ford, Joe Pantoliano, Sela Ward
Other mistake: When Kimble takes the elevator to the conference to confront Dr. Nichols, he presses a button, but the one beside it is the one that actually lights up. In this particular elevator, the button he pressed is the one that should have lit up.
Character mistake: Kimble has just finished talking on the phone with his lawyer when the cops hear the noise in the background. They figure out the sound is that of an El-Train. They then start to list the different places that have an El. One of the cities they name is Milwaukee - there has never been an El-Train there.
Trivia: When "Richard" starts to limp it wasn't planned, Harrison actually hurt a ligament in his knee shooting a promo for the movie, a promo that wasn't even part of the movie. He refused to receive treatment until filming was finished and ended up needing surgery.
Trivia: Director Andrew Davis had Harrison Ford start the film with a beard, and then shave it off, rather than using a disguise for Richard Kimble throughout the film.
Trivia: After his escape, it shows Harrison getting on a train marked with the name "Kimball" and then in the next shot, a helicopter flies over a hotel called "Harrison".
Richard Kimble: I didn't kill my wife!
Sam Gerard: I don't care. (00:37:10)
Richard Kimble: Do you remember what I told you in the tunnel?
Sam Gerard: Um, yeah. It was noisy, I think you said something like you didn't kill your wife.
Richard Kimble: Remember what you told me?
Sam Gerard: I remember you pointing my gun at me.
Richard Kimble: You said "I don't care."
Tracing tech: He's on the south side.
Sam Gerard: Yeah. Yeah, that's right, Richard. I don't care. I'm not trying to solve a puzzle here.
Richard Kimble: Well, I *am* trying to solve a puzzle.
Cosmo Renfro: Five seconds to location.
Richard Kimble: And I just found a *big* piece.
Question: At the very end, what was in the plastic bag that Tommy Lee Jones' character gives to Harrison Ford?
Question: When Kimble is in the hospital with the boy he changes the diagnosis to what? I have tried to look but it cuts away as he's writing it down on the boy's file.
Answer: When Richard changes the diagnosis, the first thing he writes down is "AO" which is medical shorthand for aorta. Many people who have medical degrees and saw the movie speculate that Joel had an aortic tear. This would cause blood to flow into the chest cavity making it difficult to breathe and with the impact from the crash it could have caused the fatal injury. An aortic tear requires immediate surgery and by changing Joel's diagnosis, Kimble was able to save his life.
Answer: Kimble is watching as the doctor, Al, looks at the chest film and states "possible fractured sternum, he's stable," and we can see Kimble's bothered by that. Then Kimble is told to take the boy to observation room 2. When Kimble questions the boy and looks at the chest film, Kimble ignores what he was told, and instead heads directly for the surgical OR. In the elevator he draws a line over the incorrect essential diagnosis: "depress chest w/ poss fr" (possible fracture), and begins to write "Ao," then he scribbles a signature on the Patient of Dr line. The essential diagnosis Kimble writes is presumably an Aortic trauma, which is a life-threatening critical injury and requires immediate attention. So when Kimble brings the boy to the OR (instead of observation room 2) for the emergency medical procedure, he tells the doctor the boy was sent up from downstairs. The child is then taken to operating room 4, STAT, saving the child's life.
Its a pneumothorax, is air trapped between the lung and the ribcage and it's very common.
Answer: The presumption is the boy was misdiagnosed and he changed the chart to the correct diagnosis. The doctor says later that he saved the boy's life. Most likely he changed the charge to order specific tests.
Answer: It's never specified what he changed the orders to, nor is it important to know. This was done only add to the plot where the other doctor noticed him looking at the X-ray, arousing her suspicion, then creating suspense as Kimble barely escapes from the hospital.
We know it isn't important know, it's just a point of curiosity.
True and if you notice that's the always reliable Julianne Moore as the other doctor. This was the first movie that she did that was lampooned in Mad magazine, the next would be Mocking Jay Part 1.
"The Lost World: Jurassic Park" and "Hannibal" were both lampooned by Mad before "The Hunger Games: Mockingjay - Part 1."
I totally get that you're curious about it. Just saying that filmmakers usually aren't concerned with showing small details like that. They use broader strokes to tell the story.
A lot of film makers do put in small details into their work. Yes, some are lazy, for example, repeating 1 or 2 paragraphs in a news article too look like they whole page is filled. Others take time to have the whole thing filled out, even adding funny things for the viewer who paused the video to read. This is why there's a lot of trivia entries and questions about what something small was or meant. A casual viewer wouldn't know if what they saw meant something or was the film makers being lazy.
Question: Towards the end, before the confrontation with Kimble and Nicholls, the guy who was tracing Kimble's phone records tells the Marshalls that Kimble telephoned Sykes on the night of his wife's murder. But obviously it wasn't Kimble calling Sykes, it was Sykes using Kimble's phone. But why would Sykes be calling himself?
Chosen answer: He didn't. A key plot point is that Nichols borrowed Kimble's car on the night of the murder. The call to Sykes, which is expressly stated by the marshals as being on Kimble's car phone, was from Nichols, presumably arranging to meet so that he could give Sykes Kimble's keys to get into his house to lie in wait for him.
Thank you for explaining it. I've seen it several times and never realised how it went down.
And Tommy Lee Jones tells Kimble that they knew Nichols called Skyes from his car, but how? Wouldn't the more logical answer have been that the US Marshals thought that Kimble called Sykes from his car to tell the killer his wife was home alone? There is no way the US Marshalls would have known that the Kimble let Nichols borrow his call - that's the mistake in the movie! It actually should have made the Marshalls suspicious of Kimble, not exonerate him.
The Marshals know Kimble let Nichols borrow his car because Kimble told the police when he was initially interviewed following the murder. He gave a detailed account of his actions and whereabouts that night and mentioned that Nichols had borrowed his car. It didn't seem suspicious to the police at the time because Richard claimed he fought with a one armed man he didn't recognize; a story the police did not believe because there was no evidence of this and Kimble's wife "identified" her attacker as Richard. Gerard puts everything together when he realises that Nichols lied about knowing Lentz.
How did Sam figure out that Nichols borrowed the vehicle and made the call to Sykes and gave him keys, etc? I know in the laundry he reveals that he knew this but when/how did he figure it out?
Answer: This is more of a question really. What kind of defense attorney did this high dollar, Dr. Kimble hire who do not show their defendant pictures of the one-armed men the police question? How do his attorneys not ask him "OK, which of these one-armed men did you fight with in your house?"
The prosecution is not required to inform the defense of every person the police interview or question. They are only required to give the defense whatever evidence they have against the accused. Simply questioning someone in a perceived dead only counts as evidence against the accused if the prosecutor mentions it in court. If the prosecutor were to say "We interviewed a one-armed man named Sykes and he says he doesn't know you", then Kimble's defense would be required to be given access to Sykes. We can assume this never happened.
The Chicago police DID question Sykes after the Kimble murder. Review the scene where Sykes returns to his apartment after Kimble has been there. Girard starts asking Sykes questions, at first Sykes says he doesn't know anything about Kimble but then "remembers" that he had been interviewed by the police right after the Kimble murder. However, Sykes says that he gave the police an alibi, with 15 people supposedly confirming that Sykes was on a business trip and not in Chicago. The movie then implies that Sykes had been a Chicago cop and lost his arm "in the line of duty." Remember that the Chicago police focused on Kimble pretty quickly. Their investigators may have interviewed Sykes, but they likely didn't even come close to considering him as a potential murderer. Even with Sykes likely matching Kimble's description of the one-armed man, the police likely saw Sykes as a former cop... A former cop who had an alibi confirmed by 15 people. As I understand it, prosecutors don't have to tell defense attorneys about everyone that the cops question. They only have to tell the defense about potential witnesses that might be called in connection to the criminal trial. In this scenario, Sykes wouldn't have been part of the criminal trial (Again, supposedly on a business trip confirmed by 15 people on the night of the murder) and thus Kimble and his lawyers would never have known about his existence.
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Answer: It's a cold compress. You squeeze it, and the inner bag breaks mixing chemicals and it gets very cold. It helps to minimize swelling. He gave it to Kimball for all the bruises he had.
Grumpy Scot