Visible crew/equipment: Towards the end of the movie, the Predator is climbing up the side of a tall building. Danny Glover jumps in his car to take off after it. As he starts to drive away you can see the shadow of an elevated cameraman.

Continuity: After the Predator snatches the skull and spine from Bill Paxton and starts to street level while being chased by Danny Glover, you can see that the Predator is not carrying nor has the skull attached to it in any kind of way while jumping from rooftop to rooftop.

Revealing: At the very start of the film, when the car blows up, if you look to the right you can see a piece of debris (it looks like a car door) flying through the air. Look on either side of it and you can see the black cable it's gliding on.

Continuity: At the end of the fight in the slaughter house, Lt. Harrigan scrambles up a ladder and goes onto the roof with the predator in hot pursuit. A few moments later, Harrigan slams into the predator and they both fall off the roof. Suddenly, they are about 30 stories up dangling from a ledge. The slaughter house wasn't 30 stories tall...it wasn't even three stories!

Visible crew/equipment: When Harrigan drives off after punching Pope, you can see the shadow of the camera moving in the bottom left corner.

Revealing: When Danny falls down from the ceiling, watch closely and you can see the security wire attached to his leg.

Continuity: At the penthouse, the Predator lifts one of the Jamaicans on his wrist blades. Another Jamaican turns to see his friend dangling in the air with a claw sticking through his torso. In the next shot from the Predator's POV, the Jamaican is facing as before and still shooting at the wall like he didn't notice. After that, it shows the same man turning in an arc that should show the Predator, but it and the impaled man have disappeared entirely.

Continuity: The threatened businessman on the train swings his gun all the way to the right, past the pole. The camera switches to his POV as he swings back, but he doesn't pass the pole again.

Visible crew/equipment: When Jerry is fighting the Predator in the subway car, watch closely behind him when he runs out of ammo. He bends over to pick up a knife, and you can see two distinct shadows on the wall in the strobing light. One is his, and the other belongs to the camera man standing a few feet to the side.

Continuity: As Harrigan is walking away from King Willie in the alley, Willie turns toward him to say, "Prepare yourself." His face is well-lit. In the next shot, Willie is facing away in the background and his head is entirely in shadow. He's turned and lit again for his next line.

Continuity: At the penthouse, the Predator stabs a Jamaican with the spear and turns as another man steps out from behind a column. It switches to the Predator's POV and the man does the exact same thing again.

Audio problem: When the Predator is about to shoot Gary Busey, just before Danny Glover blows the door in, listen. The actor playing the Predator is counting to three before the explosion, preparing himself for the effect. Easily heard if you turn your tv up.

Revealing: When the subway train slams on the brakes, the camera cuts to a shot showing the sparks coming off the wheels as the train is slowing down. If you look at the wheels carefully, you can see that the train is already stationery, and the camera is panning down the train to give the impression its slowing down.

Continuity: At the very end, as Harrigan says his last line, he lifts the pistol over his shoulder in his right hand. Cut to the helicopter taking off and both his hands are lowered, with the pistol in his left.

Continuity: As Harrigan approaches the collapsed Predator in its lair, he switches from holding the disk at an angle to holding it flat.

Continuity: In the slaughterhouse scene, Danny Glover's character pulls out a shotgun and blasts the Predator several times, knocking it flat on his back. Just as soon as you see the Predator hit the ground, you can see his mask start to fly off as though it's loosely attached. In the next scene, Danny Glover has to put some effort to pry it off, when it should have flown off in the first place.

Continuity: When the Predator snatches the skull with the spinal cord attached from Bill Paxton's body in the subway tunnel, there should have at least been small amounts if not a good bit of blood left on the stairs leading up to the street surface by the time Danny Glover go to it while he was chasing him.

Revealing: When Glover slices off the Predator's hand with the disc, you can see the hand has already been cut and then re-attached to the costume (there's a very visible dividing line between the two).

Revealing: When the Predator runs out of the bathroom after doing minor surgery on himself, you can see that when he punches through the bathroom wall and into the living room and from the living room into the hallway, that both sets of doors had been pre-cut to achieve this affect. Even with the amount of force applied by the Predator, to do this considering how powerful it is, the wooden slats that were used in the old days to give homes extra strength and to help plaster adhere to walls would certainly have been more rugged looking than they were as in the movie they are neatly cut into the shape that the Predator, had to go through.

Revealing: When the predator fires his plasma caster in the slaughterhouse scene, you can see that the simple laser blast has been replaced by a Chinese sparkling firework on a string. In the original "Predator" you could see this same effect on a string but it was not nearly as spectacular and easier to miss.