Continuity: When Will and Grace are in Sandra Bernhard’s bathroom, Grace takes a photo and then puts the camera in her arm. Between shots the position of the camera changes.

Continuity: When Karen arrives late to Mason's swim meet, Jack balls her out, and she stirs the Bloody Mary she's holding then throws the celery stalk down into the pool. Yet, two shots later, as Jack rides his scooter out, the long celery stalk is amazingly back in her drink.

Continuity: When Grace is in the batting cages, she gives Will some money to go buy her a corn dog and some nachos. The door to the cage is wide open, but in the very next shot of Will, the door is locked shut.

Continuity: After Jack and Karen ask Grace if she knows any good designers, they run over to the table and grab a pencil each. After they grab their pencils, the position of the pencils in the pots changes.

Continuity: When Grace is looking through the sheets pulled from the magazines which Jack gives her, the paper at the back of the pile she is looking at changes between shots. You can tell because the layout is different.

Continuity: When Karen reads Stan’s will and sees that a third of his money will go to charity, she goes woozy in her chair. In this shot the table is free from loose jewels, yet in the next shot two rings are sitting on the table.

Continuity: When Will and Grace are talking to the nun about buying the car off of her, the amount of Burberry scarf showing out of Will’s coat is inconsistent with each shot change.

Continuity: When Rosario walks in on Karen and Beverly fighting on the table, the hairpiece Beverly holds swaps hands between shots.

Continuity: As Karen and Beverly fight on the snooker table and pull each others toupees off, the black ball on the snooker table keeps on disappearing, reappearing and moving around the table through the scene.

Continuity: When Karen is about to pot the black ball in snooker, Beverly does a fake sneeze to make Karen loose her concentration. Karen’s stick is on the table when she grumbles, but is in her hand in the next shot.

Continuity: As Karen and Beverly play snooker, and are trying to pot the black ball, the positions of all the little blue cube-stick chalks keep changing. They jump onto the table/onto the tableside between a few shots.

Continuity: When Grace is telling Will about his dad's affair, she mentions that he grabbed the other woman's ass when she brought him a packet of Goobers during the interval. The thing is, she sees them for the first time during the interval, and we see the conversation that follows. The mistress brings him wine, not Goobers, and he doesn't grab her ass.

Revealing: When Grace eats the dog food from the frying pan, we hear the sound of it sizzling, but we see no steam coming from the food.

Continuity: When Will squeaks the toy newspaper, Pepper barks and Will throws the soft toy onto the couch. It lands right at the end of the sofa. In the following shot it’s in the centre of the sofa.

Continuity: As Jack eats breakfast the position of the food on his plate differs between some shots, and some of the food vanishes too.

Continuity: There are two balloons, a blue and a pink one, attached to a vase of flowers in the waiting room. Between shots the pink balloon shrinks half its original size as Jack is talking about a man losing all his limbs.

Revealing: Karen clearly doesn’t suck any air from the balloon (that’s why her voice doesn’t go high.)

Continuity: When Karen and Jack are sucking helium from balloons in the hospital waiting room, they are using a purple balloon. The balloon disappears for a few shots, then reappears as a pink balloon.

Continuity: When the gang are playing poker in the opening shots, the position of the chips, cards, beer bottles etc., keep changing - watch then stacks of chips by Rob. They keep changing the most noticeably.

Continuity: In the spa, Karen puts her ‘Dazzle’ magazine down to talk with Candace. When she sits down again it has moved to the other side of the spa bench.