Buffy The Vampire Slayer

Smashed - S6-E9

Audio problem: When Warren, Jonathan and Andrew break into the museum to get the diamond, Warren makes a hole in the glass, then pushes it through, but when it lands, it sounds like plastic, not glass.

Wrecked - S6-E10

Visible crew/equipment: Just after Dawn says "I like the trailers", we fade to black/commercials, then up again. Keep a close eye on the left side of the screen - you can see what looks like someone's hand flash into frame for a second, despite Dawn being alone in the room - looks like the director's hand signalling action. (00:25:50)

Jon Sandys

Wrecked - S6-E10

Revealing mistake: Spike is supposedly naked in the building when he and Buffy awaken, but several times during the scene when he's asking her to stay, you can see the skin-tight, skin-coloured underpants he's wearing.

Wrecked - S6-E10

Visible crew/equipment: When Willow and Dawn are running away from the demon, Willow uses magic to unlock a car for them to escape in. On the right side of the screen, shadows of crew members can be see as the car's doors open and are gone when Willow uses magic to make the car drive away.

THGhost

Wrecked - S6-E10

Continuity mistake: The episode begins the morning after Buffy and Spike first have sex. That night, Willow and Amy go out again to find Rack's place, and this cuts directly to Willow waking up the next morning. But later in the episode, Spike makes repeated references to what happened between him and Buffy "last night", when in fact it was two nights ago.

Shay

Buffy The Vampire Slayer mistake picture

Wrecked - S6-E10

Continuity mistake: When Buffy and Willow have just returned from a night out and everyone is in the kitchen, Dawn's hair keeps changing from being over her shoulders to behind, to over one shoulder in different shots.

Buffy The Vampire Slayer mistake picture

Wrecked - S6-E10

Continuity mistake: Just before Buffy storms out on Spike, she puts on her denim jacket. When viewed from in front we can see the jacket is only half over her shoulders and her hair is loose. The shot cuts to view her from behind, and the jacket is now completely on and her hair is tucked under the collar.

pinkwafer

Gone - S6-E11

Revealing mistake: When Buffy is invisible and in the social office in "Gone", she is searching for the summer files, and you can see a thumb picking them up. (00:20:40)

Gone - S6-E11

Revealing mistake: When Buffy is at the desk of the social assistant you can see the white wire at the left of the keyboard. The white wire controls the fake keyboard: you can see the wire moving. (00:20:50)

julien bouchard

Gone - S6-E11

Continuity mistake: In 'Gone', when invisible Buffy is typing on the social worker's keyboard the letter 'B' is pressed several times. When she prints what she's been typing seconds later it's revealed to be "All work and no play make Doris a dull girl", a phrase which contains no 'B's. (00:21:10)

Shay

Gone - S6-E11

Plot hole: Nobody notices a strange girl (Willow) with a invisibility ray-gun floating next to her talking to four invisible voices in a public arcade and only start to react when a fight breaks out.

THGhost

Gone - S6-E11

Plot hole: For some strange reason, the guard at the arcade allows Buffy and Willow to leave the arcade with the invisibility ray-gun despite having absolutely no idea what it does.

THGhost

Gone - S6-E11

Continuity mistake: In the kitchen scene Buffy takes the pizza out of the fridge and closes the door, but in the next shot the door is open and two shots later it's closed again.

Gone - S6-E11

Continuity mistake: After Doris from Social Services leaves Buffy's house and Spike leaves after her, he takes his lighter out of Buffy's pocket. But earlier in the episode when everyone was packing away all of Willow's magic stuff, Buffy finds Spike's lighter and puts it in one of the boxes.

THGhost

Buffy The Vampire Slayer mistake picture

Doublemeat Palace - S6-E12

Continuity mistake: When Buffy is assigned to the grill, as Timothy explains the process he's wearing a short-sleeved orange/white stripe uniform. In the close-up, when he places the second patty on the grill, Timothy is wearing a 3/4 sleeve, dark blue shirt. (00:17:15)

Super Grover

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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