Buffy The Vampire Slayer

Gone - S6-E11

Revealing mistake: When Buffy is invisible and in the social office in "Gone", she is searching for the summer files, and you can see a thumb picking them up. (00:20:40)

Gone - S6-E11

Continuity mistake: In 'Gone', when invisible Buffy is typing on the social worker's keyboard the letter 'B' is pressed several times. When she prints what she's been typing seconds later it's revealed to be "All work and no play make Doris a dull girl", a phrase which contains no 'B's. (00:21:10)

Shay

Gone - S6-E11

Plot hole: Nobody notices a strange girl (Willow) with a invisibility ray-gun floating next to her talking to four invisible voices in a public arcade and only start to react when a fight breaks out.

THGhost

Gone - S6-E11

Revealing mistake: When Buffy is at the desk of the social assistant you can see the white wire at the left of the keyboard. The white wire controls the fake keyboard: you can see the wire moving. (00:20:50)

julien bouchard

Gone - S6-E11

Plot hole: For some strange reason, the guard at the arcade allows Buffy and Willow to leave the arcade with the invisibility ray-gun despite having absolutely no idea what it does.

THGhost

Gone - S6-E11

Continuity mistake: In the kitchen scene Buffy takes the pizza out of the fridge and closes the door, but in the next shot the door is open and two shots later it's closed again.

Gone - S6-E11

Continuity mistake: After Doris from Social Services leaves Buffy's house and Spike leaves after her, he takes his lighter out of Buffy's pocket. But earlier in the episode when everyone was packing away all of Willow's magic stuff, Buffy finds Spike's lighter and puts it in one of the boxes.

THGhost

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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