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Buffy The Vampire Slayer

Chosen - S7-E22

Continuity mistake: Sunnydale apparently has docks ('Consequences' and 'Surprise') and is quite close to a beach ('Go Fish'), but when Sunnydale is destroyed in 'Chosen', we see an overhead shot of the crater and it appears to be in the middle of the desert, far from any coastline.

Same Time, Same Place - S7-E3

Continuity mistake: In episode 'Same Place, Same Time', Gnarl cuts Dawn across the stomach paralysing her and ripping her shirt, but when Buffy and Xander are carying her home there is no tear in her shirt or any blood. Also when Buffy goes back to kill Gnarl he tears her shirt but seconds later the rip has gone.

Lessons - S7-E1

Plot hole: The First (as Drusilla) touches and moves Spike's hair, However it is made very clear later in the season that The First is not corporeal, which means it is unable to physically touch anything.

Beneath You - S7-E2

Revealing mistake: When Buffy throws Spike into the benches at the church you'll notice that as he is about to hit the floor there is a blue mat where he lands.

End Of Days - S7-E21

Continuity mistake: Towards the end of the episode whilst Buffy is fighting Caleb with the scythe, right after he says to her, "You're not slipping out of this fight, girl. Can't you see? You can't stop me. I can just keep going back for more. It's like being reborn," and throws her into a wall, the position of the scythe changes constantly between shots.

Lessons - S7-E1

Visible crew/equipment: When Dawn and the other girl are getting up after falling through the bathroom floor into the basement, you can see a man standing behind them towards the left side of the screen.

End Of Days - S7-E21

Audio problem: When The First lets Buffy get away with Caleb's scythe, Buffy jumps back up the trap door but we don't hear her touch the ground as she lands.

The Killer In Me - S7-E13

Continuity mistake: Spike tells Buffy about drugs the Initiative would give him when his chip started firing after he was first captured. This is wrong in two ways: firstly, we saw most of Spike's time in captivity, and he escaped before they could drug him, and secondly, he didn't even know he had a chip until he escaped and tried to kill Willow.

Empty Places - S7-E19

Continuity mistake: In the episode 'Empty Places' when Xander is returning from hospital Kennedy is standing beside the couch to greet him and Willow. When Xander sits down she is sitting on the couch, but she wasn't out of shot long enough to have gotten there.

Bring On The Night - S7-E10

Plot hole: When the First has the Toruk-Han torturing Spike it hold his head under water. Hardly torture seeing as Spike is a vampire and doesn't breathe.

First Date - S7-E14

Continuity mistake: When Buffy goes to save Xander from Lissa, she knocks a dagger out of her hand and it is thrown to the ground near the far end of the room. Two shots later it has moved closer to the door.

Chosen - S7-E22

Continuity mistake: Towards the end of the episode when Buffy is running along the rooftops trying to catch up to the school bus, we see an overhead shot of one of the buildings collapsing just before she jumps off it. In this shot, Buffy is not holding the scythe that she used to kill Caleb. Once she jumps the rooftop however, she is holding it in her right hand.

End Of Days - S7-E21

Visible crew/equipment: Right at the end, when Angel saves Buffy from Caleb, the shadow of a boom mic can be seen in the top left corner of the screen as Angel helps Buffy to her feet and says, "I was never much for preachers."

Empty Places - S7-E19

Continuity mistake: During Anya's pep talk to the Potentials, Andrew draws crude illustrations to visualize what she is saying. One the second page that uses to draw a picture of the sun, the top of the previous page that's folded over the back of the board changes from being folded straight to folded at an angle between shots.

Showtime - S7-E11

Continuity mistake: When Buffy is discussing the Turok-Han with the potential Slayers in her dining room, one of them says that it almost killed Buffy. Rona then spreads both her arms out and says, "What chance do we have?" In the following shot, her left arm is down by her side and her right arm is resting on the dining room table.

Beneath You - S7-E2

Continuity mistake: Shortly after the opening credits we see Buffy, Dawn and Xander driving to the new high school. As they're talking, the rest of the credits roll by onscreen. Just after "Producer: Marc David Alpert" is shown, there is a side-angle shot of the car and you can see Xander's left arm resting outside on the open door window. But in the following shot he has both his hands on the steering wheel.

Him - S7-E6

Visible crew/equipment: During the scene where Willow and Anya fall in love with RJ after he visits Buffy's house, and everyone but Dawn runs off to do their thing, the camera pans to Dawn and a woman with a maroon, long sleeved shirt is briefly visible standing on the stairs to Dawn's right.

Him - S7-E6

Continuity mistake: When Dawn is in Principal Woods' office to talk about the accident, she gets up and leaves. Her bag is still hanging from the chair, but she has it in the next scene.

Never Leave Me - S7-E9

Other mistake: When Buffy pulls the knives out of the Bringers, there is no blood on them. Also, you can see the muscular arm of Buffy's stunt double pushing the knives into the Bringers.

Touched - S7-E20

Revealing mistake: When Giles slashes the Bringer's neck in the basement, you can tell that there is no entry wound and that the fake blood was merely applied to the actor's neck to give the impression of it being slashed.

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Quotes

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Trivia

In 'Once More, With Feeling' the man singing the mustard song is David Fury, the co-executive producer.

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