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The scene where the ghosts stacked the chairs on the kitchen table was filmed in one take with no cuts. As the camera followed Diane Freeling to the kitchen sink, the crew members rushed to the table, put an already built pyramid of chairs on the table and then took away the individual chairs. See more...
Poltergeist (1982) - 73 mistakes
starring Beatrice Straight, Craig T. Nelson, Dominique Dunne, JoBeth Williams, Oliver Robins (add more)
Other: When the chair moves across the kitchen floor, Craig T. Nelson goes to investigate it (after it has stopped moving). He goes up to the chair and flips it over. If you look closely, Craig almost hits the camera with the chair's legs. You can tell this has happened because the camera moves up very quickly and Craig looks straight at the camera crew with very big guilty eyes. This is more easily visible on the widescreen version of the film.
Visible crew/equipment: In the breakfast scene when Robbie's milk glass spontaneously shatters from the bottom. Watch closely, you can see a string coming out of his cereal bowl and attaching to the bottom of his glass. Robbie just needs to give the glass a little tug, and splash. Watch in slo-mo a couple times, then it's really obvious at regular speed.
Continuity: Robbie and Carol Anne share a bedroom, just to the left, and on an angle, of Dana's room (which is located upstairs, to the left, then directly ahead). This is obvious on a few occasions in the film (e.g. when the father says goodnight to them near the beginning of the film, and when the mother checks on them before having a bath near the end). At the end of the film when the poltergeist returns, the mother runs to rescue Robbie and Carol Anne from their bedroom - and bursts through the door to the left, and directly in front of her. Isn't that Dana's room?
Other: When the father tucks Robbie in and Robbie says "I don't like the tree, dad." the camera shot begins rolling to the left. Robbie flinches when reacting to someone telling him to lean back more so he's not blocking too much of the father's face. The father also improvs a solution by gently pushing Robbie's shoulder back a bit as well.






