Continuity mistake: When Ripley reconnects the dismembered Ash droid, the switch from dummy to actor is blatantly visible. A few minutes later the android is incinerated, at which point the dummy head has reappeared and the android's left arm has disappeared.
Continuity mistake: During the alien chest-burster/death of Kane sequence, Kane's shirt switches back and forth from being tucked-in, to being un-tucked throughout the scene.
Continuity mistake: When the search party goes into the boneship, they are wearing full space suits, and hoods under their helmets. When Kane's helmet is first cut off, he has no hood on.
Visible crew/equipment: After Ripley fails to shut off the auto destruct sequence, she runs through a corridor filled with gas. As she exits from the gas right before the shot cuts away we see her pass by a full sized light. Beside this light is the clear arm and head of a lighting crew member. (This is acknowledged on the DVD commentary).
Visible crew/equipment: When Ripley is heading towards the Shuttle towards the end, just before she finds Jonesy, there is a POV shot where the camera is walking towards a ladder. If you look at the floor you can see the dolly that the camera moves on.
Continuity mistake: In regards to the self destruct mechanisim of the Nostromo, It is said that the time from the setting to detonation will be 10 minutes. This is also confirmed by the voice of "Mother" who says, right after Ripley initiates the sequence, that the detonation will take place in "T-Minus 10 minutes" However, in the next shot you see one of the monitors which shows a countdown with 10 minutes and an extra 30+ seconds on it.
Continuity mistake: Disappearing Android Fluid- When Ash has gone crazy and is attacking Ripley, his white android juice/sweat/fluid is flowing from his forehead. After he throws Ripley into the room with the nude pictures on the wall, there is a new shot. In it, Ash is walking into the room, but there is no android fluid on his forehead.
Revealing mistake: In the rapid closeup sequence in which the alien kills Parker (Yaphet Kotto) by biting him right in the face, a freeze-frame viewing indicates that, at the point of impact, a honeydew melon was used to absorb the bite. Now a honeydew melon has a white external rind, and Kotto is a black actor. Why couldn't the SFX guys, at least, have painted the melon to match Kotto's complexion? This production error is, well, in your face.
Visible crew/equipment: Following the chest-burster scene, as the camera pans around the darkened corridors on the Nostromo just prior to Dallas ejecting Kane's body, what appears to be a boom mic is visible only for approximately two seconds to the left of the screen.
Visible crew/equipment: When Kane is struggling on the table shortly before the alien rips through his chest, just before the first patch of blood appears, his T-shirt rides up and something strapped to his chest can be seen. This is some sort of pack containing fake blood that discharges onto his T-shirt. (Best viewed in slow motion.)
Continuity mistake: When Lambert deactivates Ash by using a cattleprod, you will notice that she is wearing brown cowboy boots. Minutes later as the Alien goes to wrap its tail round the back of her legs, she is now wearing a sneaker - though you only see the toe cap it is clearly not a brown cowboy boot.
Continuity mistake: When the crew is chiding Parker for Brett saying nothing but 'Right' all the time, Brett's cigarette is first short, then long, then short again.
Continuity mistake: In the shot of the alien's tail wrapping around the back of Lambert's legs right before it kills her, the floor is different to what it was before, there is water suddenly falling from the ceiling when there wasn't before and her trousers have changed from white to blue. This is because that shot was originally intended to be used when Brett was killed.
Audio problem: When Tom Skerritt first "interfaces" with Mother after being awoken, he says, "Good morning, Mother" - it is not even close to being Tom Skerritt's voice.
Continuity mistake: When Dallas, Lambert and Kane first discover the Space Jockey, the room is so well illuminated you can see the Jockey, its cannon thing and the floor around it perfectly. In all close shots, it's suddenly pitch black and all we can see is the small areas lit by the crew's helmet lamps.