Factual error: In the opening scene, humans with hunting tools find Transformers building the Sun Harvester amid mountains so high they are covered in snow. This is to be the site of the Great Pyramids, and within some thousands (thousands, not millions) of years, the mountains have completely eroded down to sand dunes. Someone corrected this, saying:[Perhaps the machine was moved. The Primes (in the backstory scenes) bury themselves into mountains soon after stealing back the matrix. Those same mountains we see the machine was surrounded by at the start of the movie. The mountains have not changed where the Primes are buried. Therefore it is a safe assumption that the machine was moved and concealed by the pyramids.] Since this is an assumption, it is also safe to assume that there would be no reasonable need to relocate the Sun Harvester without the Matrix, as the Matrix is required for the machine to work.
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Sergeant Epps: I hope these F-16's got good aim.
Major Lennox: Why's that?
Sargeant Epps: Because I told them to hit the orange smoke.
Major Lennox: You mean that orange smoke? [Points to orange smoke right next to them]
Sargeant Epps: It wasn't my best toss.
Trivia
In one shot from the Predator's camera, we see a shot recycled from the first Transformers film of the desert attack. See more...
Transformers: Revenge of the Fallen (2009) - 66 mistakes
Directed by Michael Bay, starring John Turturro, Josh Duhamel, Megan Fox, Shia LaBeouf (add more)
Genres: Action, Adventure, Sci-fi
Transformers: Revenge of the Fallen review at Movie Banter
Thanks to Atomic Popcorn and Ernie's House of Whoop Ass for linking here...
Continuity: In Transformers: Revenge of the Fallen, Seymour Simmons (John Turturro) calls in coordinates of the Daggers Tip from a pay phone. He says the coordinates are 29.5 North by 34.88 East. Later, when a young soldier shows General Morshower a note containing the coordinates from Major Lennox, the paper says 29.5 North by 35.88 East. A difference of one degree of latitude would translate into about a 69 mile error.
Continuity: During the scene establishing the Decepticons on the Bayos freight ship, vehicles change. The first shot, overhead, shows Long Haul (green dump truck), MixMaster (grey cement truck), Rampage (red bulldozer), and Scrapper (yellow front loader with wheels). The next shot shows Rampage as being yellow, and Scrapper is now some yellow Volvo vehicle with treads and a claw. Also, by the angle of this shot and based on the previous shot, there would not be an angle to see through the background vehicles. In the next shot, when the transformers jump overboard, Rampage is red again, and the Volvo with treads is now the front loader Scrapper again.
Continuity: In two different places in the film, the exact same shot of Soundwave communicating with the Decepticons in space is used. Someone corrected, saying: [Not sure how this is a movie mistake. Soundwave is in Space functioning as a satellite. As such, would not be required to move around much. Both shots align with and fits within the plot and flow of the movie.] If a human character in any movie was shown at two different times making the exact same movements, with the camera shot being exactly the same, it would be noted by observers as a major oversight at least, if not an intentional shortcut by a really bad director.
Continuity: When Sam asks Skids and Mudflap if they can read the Cybertronian symbols, his hand moves from pointing at the tattoo on his arm to his head.
Visible crew/equipment: At the scene where Optimus Prime's body is getting back to base and suddenly got surrounded by US marines, after the shot where Major Lennox objects and beats on the hood of a Humvee, you can see cameraman's shadow on him in a panning shot. Some shots later you can see it again on Galloway's body in an over-shoulder view.
Revealing: In the scene where Major Lennox is being sustained by the Galloway and Master Sergeant Epps says that he's an "Asssshole!", you can see bunch of soldiers and Autobots in the shot. Sunlight is almost in the middle of the shot; the problem is just the body of the soldiers blocks it. If you watch it closely you can see first a soldier with hat blocks sunlight, after that an Autobot should block it but it doesn't. Again a soldier comes from left to right and blocks it and after that an Autobot should have blocked it, but still you can see the sunlight.
Continuity: When Sam is at the Frat party just after he has written the code on the table with cake, he goes and gets a drink. The glass is full, the camera cuts to the girl talking and then cuts back to Sam and the glass is nearly empty, cuts to the girl again and then back to Sam, with a full glass again.
Factual error: The team go to the Smithsonian Air and Space Museum's Stephen F. Udvar-Hazy Center, which is located adjacent to Dulles Airport in Virginia - surrounded by rolling green hills - to find a Transformer. When Jetfire breaks out of the museum, beyond the broken door is a large, desert airplane graveyard with large mountains in the background. This appears to be the 309th Aerospace Maintenance and Regeneration Group (309 AMARG), a well known aircraft 'boneyard', located at Davis-Monthan AFB, in Arizona.
Plot hole: Simmons stands outside the 'The Monastery' at Petra (not to be confused with 'The Al Kazneh' at Petra where Indiana Jones and the Last Crusade was filmed) and looks at the horizon, and he is able to see the Air Force landing with Optimus by the pyramids. It then appears to take them mere minutes to drive over there. This is outright laughable, even accepting that they make the trip in an alien robot car. Petra and Cairo are separated by hundreds of miles of desert, not to mention Israel being between Egypt and Jordan.
Revealing: When Sam is brought to the cemetery to meet Optimus, you can see the green mark on the grass where Sam is supposed to stand while talking to him. (This can also be seen in one of the trailers, 48 seconds in).
Revealing: When the group are outside talking to Jetfire in the aircraft 'boneyard', on the ground in the bottom right of the screen you can see the tyre tracks where the 3 cars are supposed to pull up to join the shot - then the car on the far right stops and pulls forward again till it's at the end of the tyre track.
Continuity: When Sam is supposedly dead, it shows him walking into a bright light while talking to Autobots. It shows Sam's pinky and ring finger wrapped up in a bandage, but a couple of seconds later the bandage has changed to wrapping Sam's middle and ring fingers.
Revealing: As the two main characters are running down the sand dune, you can see the darker sand of the previous takes where the director has raked down the sand so as not to show the foot marks in it.
Factual error: In the battle between Decepticons and Autobots, the battle is around a Jordanian temple. Supposedly it's Petra temple, with the Egyptian pyramids only couple of miles away. In fact, the distance between the two monuments is more than 250 miles.
Continuity: When Mikaela runs into the lamppost, while running away from Pretender, when they enter it doesn't have headrests on the seats, but when they kill the Pretender and are driving away, the headrests are there.
Continuity: While Mikaela and Sam are running through Egypt, they both take off their jackets. Sam drops his jacket, but in the next shot it's in his hand again.
Revealing: Near the end, there's a slow motion shot of Sam and Mikaela running with explosions behind them. If you look at Mikaela closely, some fire goes right through her (this was added in post-production and they didn't rotoscope her properly).
Continuity: The multiple shots of the sinking Aircraft carrier are primarily shots of the CVN 74 (USS John C. Stennis) but also have shots of the CVN 72 (USS Abraham Lincoln) and the CVN 71 (USS Theodore Roosevelt). It is reported later on the news as the Roosevelt, and the Stennis is seen towards the end of the movie perfectly fine and providing air support.
Continuity: In the astronomy class, Sam writes many symbols on the chalk board. In the first shot of the full board, one symbol is very messy. In a later shot, it is significantly cleaned up.
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