Continuity: On the small sand spit, when Jack, Elizabeth and Barbossa meet with Will, Beckett, and Davy Jones, the leather cuff Jack wears on his right hand actually disappears and reappears twice during the meeting. Submitted by Rikki

Continuity: The cord neclace Will wears, which has several things dangling from it - particularly a distinctive white shell, flips round the opposite way between shots within a scene, several times during the film. For example, before and after the maelstrom, including the ceremony Barbossa performs. Submitted by Rikki

Revealing: After the military attack Sao Feng’s residence, when Elizabeth is seen fighting amid the melee the black spandex-like shorts are visible under her robe as she kicks up. Submitted by Rikki

Continuity: The size of Beckett's wig curls change between consecutive shots of different angles, such as when he boards the Dutchman and speaks to Jones. Submitted by Rikki

Continuity: Aboard the Dutchman, when Jones's crew shout, "The Admiral's dead," Norrington's black scabbard lies conspicuously at his right side, but when he stabs Jones the scabbard is gone. Submitted by Rikki

Revealing: The outline of Pintel’s yellow contacts are obvious in some of his close-ups, depending on his facial expressions, such as when he speaks of the green light as they sail towards the Locker. Submitted by Rikki

Continuity: At the meeting of the brethren, when Ragetti collects the pieces of eight, the items in the bowl and the red cloth change positions between shots. Submitted by Rikki

Continuity: When Barbossa is talking to Calypso on the Black Pearl, right after he says, "Masters Pintel and Ragetti, take this fishwife to the brig." there is a shot of Pintel and Ragetti leading her down the steps of the Black Pearl. The ship is pitching strongly up and down. In the next shot where Barbossa looks and flexes his hand, the Black Pearl is barely pitching at all.

Continuity: When Will is at Sao Feng's, the rope binding his wrists differs depending on camera angle. Submitted by Rikki

Continuity: At the beginning of the film where we see Barbossa and Elizabeth going to meet Sao Feng, she is asked to get rid of all her weapons. Now when she places the homemade grenade on the table, it gets placed on the edge of a red cloth where you can see the table at the end of the cloth, yet when we see her place her final weapon, it looks like the red cloth is now completely covered the table so we can no longer so the table underneath.

Revealing: Throughout the movie, the edges of Barbosa's yellow contacts are easily visible (especially in the scene where he orders Calypso to the brig).

Visible crew/equipment: The reflector screens are reflected in many of the characters’ eyes in close-ups. One example is when Will says, “Depends on the one day,” aboard the Dutchman. Submitted by Rikki

Continuity: Jack’s hat has a threaded ‘X’ on both its right and left side. In numerous close-ups extra thread holes are visible in different areas near each of these X’s; such as in the Locker, when Jack lies on the ground as the Pearl passes by and later, on the little island, before Jack switches places with Will. In other shots those extra holes are gone, such as when Jack sets sail for the Fountain of Youth. The actual sizes of the X’s also change. Submitted by Rikki

Continuity: Aboard the Dutchman, when the shot pans towards Jones as he plays the organ, the silver musical box’s point faces left, but in the next close-up it faces right. Submitted by Rikki

Continuity: During the mass hanging, in the close-up of the boy's fingers fiddling with the coin he has long untrimmed nails, but in the wideshot the boy's nails are bitten short. Submitted by Rikki

Continuity: The scar on Sao Feng's left side moves around between the shots, mostly up and down.

Continuity: After Will escapes the brig aboard the Pearl, as he stands on deck with Jack, the rope wound round the dead soldier lying atop the barrel differs depending on camera angle. Submitted by Rikki

Other: In numerous shots modern bobbypins (the white kind brides wear on their headdress) are clearly visible inside the curls of the men’s white wigs. For instance, they can be seen when Norrington is reunited with his sword; later when he dies; when Beckett talks about the immaterial becoming immaterial; finally, when he says, “It’s just good business,” as the Pearl and Dutchman fire on Endeavor. The type of 'hair pin' seen in the wig curls did not exist in the mid 18th century. Submitted by Rikki

Continuity: On the island with the contaminated water, when Pintel rolls over the dead body in the wideshot, his left hand is under the body's arm gripping the body, but when it cuts to a close-up, Pintel's left hand grips the body's arm. Submitted by Rikki

Continuity: In the Locker, before Governor Swann says, "Elizabeth? Are you dead?" in his close-up Elizabeth is seen in the background crossing the broken rail beside Jack, but two shots later she crosses that part of the rail again as she shouts to her father. Submitted by Rikki