Continuity: At the meeting of the brethren, when Barbossa stands on the table and fires his pistol, the height of the left and right cannonballs he holds differs between shots (the difference between each other, not to the table). Submitted by Rikki

Continuity: At the end, when Jack says, “Drink up me hearties, yo ho,” the compass rope flips its direction, from hanging across his palm to over the back of his hand, between shots, including the compass close-ups. Submitted by Rikki

Continuity: The scar on Sao Feng's left side moves around between the shots, mostly up and down.

Revealing: Throughout the movie, the edges of Barbosa's yellow contacts are easily visible (especially in the scene where he orders Calypso to the brig).

Continuity: In the Locker, before Governor Swann says, "Elizabeth? Are you dead?" in his close-up Elizabeth is seen in the background crossing the broken rail beside Jack, but two shots later she crosses that part of the rail again as she shouts to her father. Submitted by Rikki

Continuity: When Sao Feng is first introduced he has a red scarf tied round his pinky, and the way it is knotted differs between the following shots. Submitted by Rikki

Continuity: When Jack begins to speak to Captain Teague, Teague’s left hand is under the guitar frets, but in the shot facing Jack that hand rests atop the guitar, then when Teague says, “It’s not just about living forever, Jackie,” his left hand is under the frets again. Submitted by Rikki

Continuity: When Jack is on the Black Pearl in Davy Jones' Locker, the are scratches on his right hand. But a few minutes later when Barbossa leads the crew to Jack's rescue, the scratches are gone.

Other: In numerous shots modern bobbypins (the white kind brides wear on their headdress) are clearly visible inside the curls of the men’s white wigs. For instance, they can be seen when Norrington is reunited with his sword; later when he dies; when Beckett talks about the immaterial becoming immaterial; finally, when he says, “It’s just good business,” as the Pearl and Dutchman fire on Endeavor. The type of 'hair pin' seen in the wig curls did not exist in the mid 18th century. Submitted by Rikki

Continuity: When Davy Jones is talking to Calypso/Tia Dalma in the brig, her mascara runs because of her tears. In the next shot, the streaks are gone and it's perfect again. Submitted by wizard_of_gore

Continuity: At the beginning of the film when Elizabeth runs into Sao Feng's "henchmen", the guy talking says " particularly a woman ", in these shots watch the guy behind, his hat is down in these shots, yet when Elizabeth and the 3 henchmen turn to look at Barbossa, the guys hat is now cocked upwards so the camera can see a lot more of his face.

Continuity: The position of Bootstrap's knife embedded in the deck rail changes, from the time Will slams it into the wood to when Bootstrap removes it. Submitted by Rikki

Continuity: Elizabeth has a beauty mark above the corner of her right eyebrow which actually disappears in some of her close-ups. For instance, when she is with Norrington and asks, “Know what? Which side you chose?” and later, when he kisses her. Later, in the scene with her son, the beauty mark is gone in one close-up and then just reappears in the next one, as she glances at her son. Submitted by Rikki

Continuity: The ends of Jack’s red scarf and dangling beads and do-dads change position between numerous consecutive shots throughout the film. Submitted by Rikki

Continuity: Aboard the Pearl, after Elizabeth asks, “What shall we die for?” and begins a rousing speech to the crew, her hairstyle differs significantly in following shots (despite the wind). Submitted by Rikki

Deliberate "mistake": Below deck aboard the Pearl, when Will says, “You make your choices in life…,” and later, when Elizabeth and Will are on the beach, Elizabeth’s eye makeup and curled up lashes are very apparent in her close-ups. Submitted by Rikki

Continuity: When Sao Feng punches Jack, the lace on Jack wrist is barely frayed and pretty clean; however in previous shots it is very frayed and filthy. Submitted by Rikki

Revealing: Just after Barbossa and Elizabeth reach Sao Feng's residence, down below when Gibbs pulls the bars they actually bend. Submitted by Rikki

Continuity: As Barbossa, Elizabeth and Jack walk towards Will, Beckett and Jones there is a close-up of the latter’s feet on the sand. In the next shot, the sand around their legs significantly differs. Submitted by Rikki

Continuity: When Sao Feng's ship fires on Beckett's ship (When Beckett's captain asks if Sparrow has a plan or just makes it up as he goes along). Endeavour, Beckett's ship, loses her mainmast due to battle damage. In reality, as no ship carried a spare mainmast, Endeavour would have had to limp slowly back to port, refit a new mast and rigging, and then return to battle. This would most likely take weeks. Endeavour is spotlessly repaired a few scenes later.