Continuity: After the first wave of police cars does the "demolition derby" across the spike strip, they show some cops running out to stop the next group of cars. When they do that, the spike strip is not in the street. Then the scene shifts to a close up of the cop cars skidding to a stop directly in front of the spike strip, which has now re-appeared.

Continuity: After De Niro beds the woman from the bookstore, he leaves to get her a glass of water. When he returns, there is a different cover on the bed than when he left.

Continuity: In the final airport chase, when Pacino and De Niro are at the end of the runway, an airplane lands. It is first filmed nose-on, then the shot switches immediately to a from-behind shot after the plane has passed overhead. The plane in the nose-on shot is a Boeing 747, evidenced by the "bulb" above the cockpit area. The plane in the from-behind shot is definitely NOT a 747 - no bulb.

Continuity: At the end of the movie, after the shootout between De Niro and Al Pacino, De Niro's character is dying. Al Pacino's character holds his hand and you can see, in different shots, the blood on his shirt changes.

Continuity: While Chris is searching the armored car, Waingro stands there with his gun out. In the background, you can see the spike strip already pulled across the road . A few seconds later, they show the spike strip being pulled out across the road.

Continuity: In the scene when De Niro kicks down Waingrow's hotel door, on the police TV you see the sign on the door handle fall off. However when De Niro enters and hits Waingro in the face, the sign is back on the handle.

Continuity: During the scene in Edie's house in which Neil first asks Edie to go away with him 'somewhere', when the camera shot faces Neil he is shown wearing only his white shirt. When the shot changes to the camera facing Edie over Neil's shoulder, we see the dark border of Neil's suit jacket in the lower corner of the screen. This continues throughout the scene, as the shots repeat back and forth with Neil in white shirt only as he faces the camera and wearing his jacket as he has his back to the camera.

Continuity: When the agents are doing surveillance on the hotel room, they have a camera connected to the "peep hole" on the adjacent door. There is a TV monitor that the agents are watching. When the agents open the door to leave the room, the door with the camera on it opens, but the picture on the monitor stays the same.

Continuity: When they torch the ambulance, you can see a dealership emblem that says "LEADER" right above the Chevrolet emblem on the back door of the ambulance. It is visible right after Chris puts the bomb in. In all other shots with the ambulance, this emblem isn't there. Obviously the "LEADER" ambulance is a "fake" that they used just to burn and destroy.

Continuity: In the armoured car robbery, when the explosive charge is fired, the windshields of the row of nearby cars all explode outward toward the blast instead of inward away from the blast.

Continuity: During the shootout scene, De Niro is in the passenger seat of the getaway car and attempts to shoot out the windshield. He empties half the magazine from his automatic AR-15, yet when the camera changes to a front view, there are only 4 bullet holes in the windshield.

Other: In the armoured car robbery scene, when the explosive charge is fired, the windshields of the row of nearby cars all explode but none of the car alarms go off.

Factual error: At the end of the movie, Pacino is chasing De Niro amongst the Navigational Aids at the airport. As a jet approaches, the approach lights are turned up to full brightness. Full bright is only used during decreased visibility (not the case in this scene).