Continuity: When De Niro confronts Ashley Judd in her motel room, he knocks all but a few hangers off of the metal coatrack. While the camera goes back and forth while they argue, the remaining hangers disappear and reappear several times.

Other: In the scene where Pacino is talking with Albert outside, when Pacino starts singing, the soundtrack on Albert's dialogue is way off.

Revealing: In the scene when Pacino leaves the police station to go to his hotel for a shower, the camera is pointing up a tree lined street. Watch the pedestrians - they are all standing still until the car comes into view then someone obviously shouts action and they all start walking.

Visible crew/equipment: When Neil (De Niro) breaks into Van Zandt's apartment and shoots him, watch as Van Zandt flies backward. You can see a wire running up through the bottom of his sweat pants.

Visible crew/equipment: In the drive-in shootout scene, the camera and crew are visible in the rear view mirror in the cab of the white Dodge pickup fleeing De Niro and Kilmer.

Revealing: When Neil & Co. are in the restaurant after the armoured car robbery, they all get up to leave to deal with Waingrow. The next shot is from the parking lot of them leaving the restaurant. Right as the shots switch, they are all standing still lined up at the door for a second, and then they start to move out the door (once the director yelled "Action" I'm sure).

Visible crew/equipment: When Vincent Hanna decides Neil is already gone, he heads to his hotel room. He enters the room and walks out onto the balcony. The shot of him approaching the balcony and opening the sliding door is shown from outside, on the balcony itself, and the cameraman (wearing a white shirt) and camera are visible reflected on the left side of the sliding glass door. It is more evident as the shot progresses, because the cameraman shifts position and the reflection moves further to the left, becoming larger.

Visible crew/equipment: In the scene where Hanna and Casals break into Hugh Benny's apartment, when they break down the door it can be seen that a stuntman is filling in for Pacino.

Continuity: When Vincent is sitting at the table drinking whiskey and talking to Justine, the remote control, the bottle, the glass, the bottle cap, and the chicken leg all keep changing positions. Yes, he does pick up some of these items, but right after he drops the chicken leg to the table, the camera switches to Justine. 2 seconds later, it goes back on Vincent and all those items have moved at once.

Continuity: At the very beginning of the scene when Robert De Niro and Al Pacino are in the coffee shop talking about when De Niro was in prison, De Niro's top shirt button is buttoned in the first shot, then it becomes unbuttoned a second later.

Continuity: Robert De Niro finds Val Kilmer in the apartment and they are discussing Kilmer packing it in. Kilmer is all stressed out, and decides to light a cigarette - using a Zippo lighter. The sequence of events is: Val Kilmer grabs a cig, smoke rises from the cigarette, THEN you hear the click of the Zippo lighter.

Continuity: When the agents are doing surveillance on the hotel room, they have a camera connected to the "peep hole" on the adjacent door. There is a TV monitor that the agents are watching. When the agents open the door to leave the room, the door with the camera on it opens, but the picture on the monitor stays the same.

Continuity: In the final airport chase, when Pacino and De Niro are at the end of the runway, an airplane lands. It is first filmed nose-on, then the shot switches immediately to a from-behind shot after the plane has passed overhead. The plane in the nose-on shot is a Boeing 747, evidenced by the "bulb" above the cockpit area. The plane in the from-behind shot is definitely NOT a 747 - no bulb.

Continuity: In the scene where Neil is coming out of the elevator at the hotel Waingrow is staying at, you seem him switching his flashlight to his right hand while he reaches up with his left hand to set off the fire alarm. In the next shot, we see a close-up of his RIGHT hand setting off the fire alarm. The shot after this, you seem him lowering his LEFT hand from setting off that alarm, with the flashlight still being held in his right hand.

Visible crew/equipment: When Neil is sneaking up at Van Sant's house, you can see both Neil's and the camera man's reflection in the glass windows on the house.

Continuity: After De Niro beds the woman from the bookstore, he leaves to get her a glass of water. When he returns, there is a different cover on the bed than when he left.

Continuity: In the shootout scene when they drive away in the car, De Niro is seen in slow motion as he realises there are cops in front of them as well as behind. He raises his weapon and fires, knocking the rear-view mirror off the window. In the shot directly after he is seen still firing his weapon and the mirror falls off the window again.

Factual error: As Al Pacino is catching up to Robert De Niro on the freeway he uses his walkie talkie to get an update on De Niro's location. He does not take his finger off of the talk button and therefore would not be able to hear the helicopter pilot's response.

Continuity: At the end of the movie, after the shootout between De Niro and Al Pacino, De Niro's character is dying. Al Pacino's character holds his hand and you can see, in different shots, the blood on his shirt changes.

Continuity: When they torch the ambulance, you can see a dealership emblem that says "LEADER" right above the Chevrolet emblem on the back door of the ambulance. It is visible right after Chris puts the bomb in. In all other shots with the ambulance, this emblem isn't there. Obviously the "LEADER" ambulance is a "fake" that they used just to burn and destroy.