Visible crew/equipment: When Neil (De Niro) breaks into Van Zandt's apartment and shoots him, watch as Van Zandt flies backward. You can see a wire running up through the bottom of his sweat pants.
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Alan Marciano: Why'd I get mixed up with that bitch?
Vincent Hanna: Cause she's got a great ass. And you got your head...all the way up it. Ferocious, aren't I? When I think of asses...a woman's ass...something comes out of me.
Heat (1995) - 35 mistakes
Directed by Michael Mann, starring Al Pacino, Robert De Niro, Tom Sizemore, Val Kilmer, Amy Brenneman, Ashley Judd, Dennis Haysbert, Hank Azaria, Jon Voight, Natalie Portman, William Fichtner (add more)
Continuity: When De Niro confronts Ashley Judd in her motel room, he knocks all but a few hangers off of the metal coatrack. While the camera goes back and forth while they argue, the remaining hangers disappear and reappear several times.
Continuity: In the scene where Al Pacino is confronting Hank Azaria about his relationship with Ashley Judd, the position of the knot in his tie changes during the scene. (I saw this error noted under "corrections", but if you watch closely, the knot is almost completely under the left collar tab of his shirt between shots.)
Continuity: In the scene where Ashley Judd is giving Val Kilmer the "risk versus reward" speech, her hair goes from being neat to messy between shots.
Revealing: When Neil & Co. are in the restaurant after the armoured car robbery, they all get up to leave to deal with Waingrow. The next shot is from the parking lot of them leaving the restaurant. Right as the shots switch, they are all standing still lined up at the door for a second, and then they start to move out the door (once the director yelled "Action" I'm sure).
Visible crew/equipment: In the drive-in shootout scene, the camera and crew are visible in the rear view mirror in the cab of the white Dodge pickup fleeing De Niro and Kilmer.
Continuity: The ambulance that de Niro steals at the start of the film has a red stripe on the sides, but for the remainder of the film there is also a silver 'L'-shaped graphic as well.
Continuity: In the scene where Neil is coming out of the elevator at the hotel Waingrow is staying at, you seem him switching his flashlight to his right hand while he reaches up with his left hand to set off the fire alarm. In the next shot, we see a close-up of his RIGHT hand setting off the fire alarm. The shot after this, you seem him lowering his LEFT hand from setting off that alarm, with the flashlight still being held in his right hand.
Other: In the scene where Pacino is talking with Albert outside, when Pacino starts singing, the soundtrack on Albert's dialogue is way off.
Other: In one scene, Vincent asks one of his subordinates how he is after getting shot. The reply is "Banged up, but I'll live," but the subtitle reads "Hang up, I'll live."
Continuity: When Neil sets off the fire alarm in Waingro's hotel, there is a little red sign above the fire alarm when shown from far away. When it shows his hand up close pulling the alarm, the red sign is gone.
Continuity: When the agents are doing surveillance on the hotel room, they have a camera connected to the "peep hole" on the adjacent door. There is a TV monitor that the agents are watching. When the agents open the door to leave the room, the door with the camera on it opens, but the picture on the monitor stays the same.
Continuity: Robert De Niro finds Val Kilmer in the apartment and they are discussing Kilmer packing it in. Kilmer is all stressed out, and decides to light a cigarette - using a Zippo lighter. The sequence of events is: Val Kilmer grabs a cig, smoke rises from the cigarette, THEN you hear the click of the Zippo lighter.
Visible crew/equipment: When Neil is sneaking up at Van Sant's house, you can see both Neil's and the camera man's reflection in the glass windows on the house.
Continuity: When Vincent is sitting at the table drinking whiskey and talking to Justine, the remote control, the bottle, the glass, the bottle cap, and the chicken leg all keep changing positions. Yes, he does pick up some of these items, but right after he drops the chicken leg to the table, the camera switches to Justine. 2 seconds later, it goes back on Vincent and all those items have moved at once.
Revealing: In the scene when Pacino leaves the police station to go to his hotel for a shower, the camera is pointing up a tree lined street. Watch the pedestrians - they are all standing still until the car comes into view then someone obviously shouts action and they all start walking.
Factual error: As Al Pacino is catching up to Robert De Niro on the freeway he uses his walkie talkie to get an update on De Niro's location. He does not take his finger off of the talk button and therefore would not be able to hear the helicopter pilot's response.
Continuity: At the very beginning of the scene when Robert De Niro and Al Pacino are in the coffee shop talking about when De Niro was in prison, De Niro's top shirt button is buttoned in the first shot, then it becomes unbuttoned a second later.
Continuity: At the end of the movie, after the shootout between De Niro and Al Pacino, De Niro's character is dying. Al Pacino's character holds his hand and you can see, in different shots, the blood on his shirt changes.
Continuity: After the first wave of police cars does the "demolition derby" across the spike strip, they show some cops running out to stop the next group of cars. When they do that, the spike strip is not in the street. Then the scene shifts to a close up of the cop cars skidding to a stop directly in front of the spike strip, which has now re-appeared.
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