Camp Redwood - S9-E1
Continuity mistake: In the scene of the aerobics studio lobby when the group decides to leave for Camp Redwood, Ray is shown getting up and standing twice.
Camp Redwood - S9-E1
Continuity mistake: While talking with Brooke in the locker room, Montana's left arm alternates from outstretched in the frontal shots of her to down at her side in the rear shots.
Revealing mistake: When Dandy shoots Penny through the sheet, the second sheet flies out as it's hit with blood. But the sheet he shot through has no hole in it.
Revealing mistake: After Meadow tells Ali about the cult, Ali's phone shows that her phone call to Ivy has been active for 13 seconds, when in reality the call has been active for much longer than that.
Continuity mistake: A man in a beige jacket and blue jeans walks into the crosswalk and crosses the street. As Ally and Ivy enter the crosswalk on the opposite side, the same man passes them in the crosswalk.
Character mistake: The doctor states that the devil resides in the "frontal gyrus, the occipital lobes" and taps on the guy's forehead. The occipital lobe is at the back of the brain. (00:35:50)
Revealing mistake: After Hannah draws vials from the suspected bespeckled killer, he rushes through the hospital ward with no visible markings or needle pricks on his arm.
Other mistake: The actor playing John F. Kennedy in no way resembles the late former President.
Other mistake: When Dandy goes on his shooting spree, the pistol he uses holds 9 rounds. When Jimmy returns to find everyone dead inside the main tent, there are 11 dead bodies laid out.
Camp Redwood - S9-E1
Other mistake: Most of the mud on Brooke should have been washed off as she walked through the downpour to enter the cabin with the others.
Camp Redwood - S9-E1
Other mistake: When the group enters the infirmary, none of them are soaked from the downpour of rain happening outside.
Visible crew/equipment: As the camera pans behind Kyle, the camera can be seen above his head in the mirror. (00:15:30)
Answer: Moira's ghost form is unique because of the way she was treated when she was alive. To people who do not sexualize her and truly understand and view her for who she really (namely women), she is seen as an older woman. To people who objectify and don't care to see the truth (namely men), they see the young seductive Moria. It's a strong directorial choice to eventually show how Ben Harmen comes to terms with the truth of the house and himself.