American Horror Story

Edward Mordrake: Part 1 - S4-E3

Deliberate mistake: After Elsa kicks Bette and Dot off the stage, Elsa looks at the sheet of music on the stand and you see the name of the song 'Criminal' and it also states it's by Fiona Apple which is true, but this season is set in 1952, and Criminal wasn't released until 1996.

Trystan Abbott

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Suggested correction: Not technically a mistake; unlike regular twins, conjoined twins are always identical in appearance, contrary to what movies/TV suggest. This could easily include mole patterns.

I looked up "conjoined twins" on Google images, and there are numerous photos of conjoined twins having freckles and moles in different spots. Notably on the Hensel twins, Brittany has a mole on her chin, but Abby does not. This disproves your suggestion that conjoined twins are always identical in appearance and could have identical mole patterns.

Phaneron ★

Do you have a source to prove this?

Phaneron ★

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Mistakes

Curtain Call - S4-E13

Revealing mistake: When Elsa is waiting in the lobby, she's wearing a dress which shows her normal, not wooden legs. It's very apparent when she is crying on the floor.

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Trivia

Show Stoppers - S4-E12

Trivia: They pay homage to the original 1932 movie Freaks. In Freaks, Cleopatra gets mutilated and turned into a tarred and feathered bird for visitors to gawk at in terror. Hercules gets viciously attacked under the carnival vehicle. In this episode, Stanley gets cornered by all the freaks under the carnival vehicle and gets viciously attacked and mutilated to resemble Meep (a feathered freak who was killed by the cops in an earlier episode).

Tricia Webster ★

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Questions

Answer: Moira's ghost form is unique because of the way she was treated when she was alive. To people who do not sexualize her and truly understand and view her for who she really (namely women), she is seen as an older woman. To people who objectify and don't care to see the truth (namely men), they see the young seductive Moria. It's a strong directorial choice to eventually show how Ben Harmen comes to terms with the truth of the house and himself.

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