I Love Lucy

I Love Lucy (1951)

177 mistakes

(11 votes)

No Children Allowed - S2-E22

Visible crew/equipment: While Ethel's holding Little Ricky trying to soothe the baby, when it cuts to Fred just as he's walking into the bedroom, the sleeve of a crew member and a bit of camera/equipment can be seen at the right side of the screen. (00:03:30)

Super Grover

Lucy Changes Her Mind - S2-E14

Visible crew/equipment: When Ricky begins to talk to Ethel about the night they all went out to dinner, it cuts to the start of his flashback and it's a closeup of Ricky sitting on the couch calling out to Lucy, and as the camera pulls back into a wideshot we see the shadow of the moving camera/equipment. (00:01:15)

Super Grover

Lucy Wants New Furniture - S2-E28

Continuity mistake: At the start of the episode, when Lucy puts the baby in the crib there's only one bumper pad and it's on Lucy and Ricky's side of the crib rails, but in the baby's closeup there's a bumper pad at the rails behind him - which is the opposite side of the crib. (00:00:45)

Super Grover

Lucy Goes to the Hospital - S2-E21

Revealing mistake: When Ricky, Fred, and Ethel are rehearsing the hospital run, we can see the area to the left and right of the couch, as well as the back wall by the desk. The problem is the telephone cord doesn't actually lead anywhere, it's just coiled up under the couch and not connected to anything. When Lucy says it's time to go to the hospital, Ethel uses the phone to contact the doctor but gets a busy signal, which would be quite impossible. (00:09:55)

Super Grover

Lucy Becomes A Sculptress - S2-E20

Visible crew/equipment: When Fred steps down from the table hunched over and dressed in his long johns, he walks over to the edge of the couch, and there's an L-shape actor's mark on the floor where he stops and cracks a joke about bowling. Then later, when the art critic tries to lift Lucy's head from the table, more tape marks are visible on the floor. (00:18:15)

Super Grover

I Love Lucy mistake picture

The Indian Show - S2-E24

Visible crew/equipment: After Ricky and Juanita's song rehearsal, when they both join Fred and Ethel at the side table and talk about doing an afternoon performance, the shadow of the moving overhead boom and mic is visible on the wall and curtain, behind Fred and Ethel. (00:17:50)

Super Grover

The Marriage License - S1-E26

Continuity mistake: After spending the night at the hotel, when Ricky goes to the front desk to speak with the "Justice of the Peace" it's 7:30 on the wall clock. Then, when Mr. Willoughby stands by the stairs and calls to his wife it's almost 7:40, but when Ricky gets ready to propose it's 7:30, but it's 7:45 when Mrs. Willoughby comes downstairs in the closeup, then back to 7:30 in the wideshot. (00:17:40)

Super Grover

Ricky's Screen Test - S4-E7

Visible crew/equipment: When Ethel is about to open the door because Fred is too "busy" to do it, the shadow of moving boom equipment is visible on the wall to the right. Then after Ethel opens the door to find Lucy dressed in her starlet outfit, when Lucy walks in disappointed that she was recognized, in the next shot facing Ethel the shadow of the moving boom mic can be seen on the door. (00:10:40)

Super Grover

I Love Lucy mistake picture

Lucy Is Jealous of Girl Singer - S1-E11

Continuity mistake: When Ethel walks in while Lucy's vacuuming, Ethel has the folded newspaper under her arm and there's only small print on the paper, but after Lucy offers Ethel a cup of coffee now the headline can be seen on the still folded paper under Ethel's arm. Then, when Lucy unfolds the paper we see both the front and back page filled with pictures and the headline, but that area of small print which was seen in the earlier shots does not exist on either side. (00:00:40)

Super Grover

The Benefit - S1-E13

Visible crew/equipment: While Ricky and Fred are in the kitchen, when Ethel tells Lucy she needs her help getting Ricky for the club benefit, in the shots facing Lucy the shadow of crew/equipment movement is visible on the shutters to the right. (00:04:30)

Super Grover

I Love Lucy mistake picture

New Neighbors - S1-E21

Continuity mistake: When Lucy crawls into the New Neighbors' apartment she's startled by the stuffed bear head, and in the closeup of the bear head it's in front of a bare wall, but in the rest of the shots it's in front of furniture. Additionally, other things change as well between shots: the books under the bear, the hat, etc. (00:10:15)

Super Grover

Be A Pal - S1-E3

Visible crew/equipment: When Ethel's reading aloud from the book while Lucy's standing beside her in the living room, the shadow of a crew member can be seen moving around on the surface of the desk's back. (00:04:25)

Super Grover

Ricky Ricardo: Fred, how often is Ethel's checking account overdrawn?
Fred Mertz: Never.
Ricky Ricardo: Never? How do you manage that?
Ethel Mertz: It's easy. I never had enough money at one time to open a checking account.
Fred Mertz: She spends money like I'm printing it in the basement.

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Show generally

Question: I know this show is from the time period when a lot of couples had two beds in their room. Just out of curiosity, when did it become acceptable to show a couple's bedroom with a single bed on TV?

Answer: According to Snopes.com, there is no definitive answer, but the mid-1960s is the most verifiable date with "The Munsters" being cited as the first, although others claim "The Brady Bunch" showed the first couple seen in a double bed. An early TV show from the late 1940s titled, "Mary Kay and Johnny" is also thought to have shown the married couple's bedroom as having a double bed, although probably not with them in it. However, this was when TV was aired live, and there are no surviving episodes, only anecdotal accounts.

raywest

Something that is funny is that in the movie "A Christmas Story," they show the parents having two twin beds in their bedroom. In a real situation, they should have shown them having a double bed. Lucy and Ricky had twin beds pushed together in an early episode, which would have been pushing television boundaries in that time.

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