Super Grover

Other mistake: When Ray pulls up to Mary Ann's home, the front exterior layout and dimensions of the house are evident, from its near center front door to the two car garage, in front of Ray's van. The side exterior wall contains two large garage doors, which are about 35-40 ft from the location of the front door, with no small basement windows at ground level; inside, beside the front door, the stairs that lead to the basement run parallel just under the stairs in the foyer. In the basement, the small windows on the far end of the furnace room they run into are only about 20 ft from the basement stairs. Not only are the small windows non-existent in the exterior shot, but it's entirely impossible for two small windows to be where they are, considering the exterior footage of the house. (00:34:30 - 00:40:20)

Super Grover

25th Dec 2005

War of the Worlds (2005)

Continuity mistake: When Ray, Robbie and Rachel arrive at Mary Ann's house, as the kids shout for their mom and Tim, the door to the basement under the stairs, as well as the den further up (beside the kitchen), are all perfectly visible. Later, after the house is destroyed, when Ray walks through the basement doorway, the walls, moldings, and so on are entirely different, and now there is an extra wall (perpendicular to the camera) to the left (viewer's) where there was none before. (00:35:10 - 00:41:40)

Super Grover

Continuity mistake: When Ogilvy shouts Ray's name half a dozen times, Ray runs to him to quiet him down. The broken cellar window behind Ogilvy has shards of glass and red roots growing on it. Then in the next exterior shot, the shards of bloody glass are different size and shape, and the roots differ as well. (01:29:35)

Super Grover

Continuity mistake: When Ogilvy shouts, "Ray! Ray! Ray..." in his cellar, Ray runs to him and there's blood splattered all over Ogilvy's face, but in the next shot the amount and pattern of the blood differs. (01:29:30)

Super Grover

Audio problem: After Ogilvy is dead, when the alien snakelike giant eye surprises Rachel she begins screaming. As Ray hacks away at it with an axe, she stands at the wall screaming, and when the last long scream is heard, her mouth is closed just before Rachel runs to the stairs. (01:34:30)

Super Grover

Continuity mistake: In Ogilvy's cellar, in the close-up of Ray's hand, he holds it up to the red mist blowing through the two broken windows. In the next shot however, as Ray looks at his hand and realizes it's blood, the right window is suddenly blocked with a broken shutter and two pieces of wood. (01:29:15)

Super Grover

Continuity mistake: Whilst Ray is trapped in the upside down pickup, he looks through the windshield hole directly at Rachel, who stands on higher ground. In the next shot from behind Rachel, the landscape, wood fence, etc., to her sides are entirely different from the previous shot. (01:36:35)

Super Grover

War of the Worlds mistake picture

Continuity mistake: When the tripod tosses the pickup truck, with Ray in it, it lands upside down and the windshield shatters. The size, shape, and characteristics of the hole and breakage greatly differ between shots. (01:36:25)

Super Grover

Continuity mistake: Ray leaves Ogilvy's house to search for Rachel and soon runs into the pickup truck, just before the tripod's tentacle lifts it. The massive red roots growing all over the pickup are very different in the next shot, as it's lifted in the air. (01:36:20)

Super Grover

Audio problem: After Ray and Robbie's argument, as the soldiers drive by, when Rachel shouts, "Who's gonna take care of me if you go?" Robbie looks at Rachel and says something to her, but nothing is heard as the shot cuts away to Robbie picking her up. (00:50:15)

Super Grover

Continuity mistake: As the tripod is attempting to have Ray sucked up, the soldier begins pulling Ray's arm down, trying to free him while he himself is being raised in the air. In the following shots, Ray's rescue is shown from three different angles, and each angle is distinctly different from the others. (01:40:00)

Super Grover

Continuity mistake: While up in the tripod's "holding cell" for humans, Ray spits the circular grenade pins into his hand, and their positions on his palm differ between the two consecutive close-ups. (01:40:15)

Super Grover

Continuity mistake: In Boston, when Ray breaks off a piece of the dried up root from the statue, the piece he holds in the next shot is completely different. (01:41:35)

Super Grover

Continuity mistake: When Ray finally arrives at his ex in-laws' house, in the shot from behind Mary Ann, Ray passes the two cars on his right and is near the corner, but a few shots later, when Ray puts Rachel down, he is standing beside the first car, back up the street. (01:46:55)

Super Grover

Continuity mistake: In Boston, when Mary Ann lifts Rachel, she holds her daughter then turns to face Ray and says, "Thank you." Behind them, up the stairs, the left front door is already wide open, yet in the next shot both doors are closed until her parents dramatically open them. (01:47:30)

Super Grover

Continuity mistake: When Rachel runs to her mom, in Boston, in the side shot of Mary Ann she's already gone down the stairs and crossed the sidewalk towards her daughter, yet in the next shot it's Rachel who crosses the sidewalk towards her mom, who is still up at the center of the stairs. (01:47:05)

Super Grover

War of the Worlds mistake picture

Continuity mistake: When Ray steals the van and speeds away there is a registration sticker at the corner of the windshield, on the driver's side. The sticker is gone when Ray starts shouting, "You saw! We're under attack!" when they're on the freeway. (00:30:10 - 00:32:15)

Super Grover

Continuity mistake: As Ray speeds away when Manny's shop blows up, Robbie shouts, "Holy s**t!!" and ducks. The rearview mirror on the van's windshield, in this close-up, is entirely different to the one seen a few shots later, when they're on the freeway. The mirror changes yet again later. (00:31:30 - 00:32:15)

Super Grover

Continuity mistake: In the exterior shot of Mary Ann's house, there are three large windows of the same size over the front door, and large bay widows on both sides of the door. In the interior shot, when Ray remarks, "They're never here," the window over the door is visible and it is one large center window with very small windows on each side. In the dining room there are two windows with wall in between, certainly not a large bay window. (Additionally, in the living room there is a fireplace, where there were two windows in the exterior shot - but some could say that those windows were boarded up and a fireplace was built in front of it.) (00:34:30)

Super Grover

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