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The Big Goodbye - S1-E12

Continuity mistake: Near the end, after being subjected to the snowy scene, only Mr. Leech has snowflakes on him. They're on him as he steps into the corridor, then they're suddenly gone.

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Show generally

Continuity mistake: In the Engine Room, after Geordi calls Wesley and Data, Wes turns around and drops his hands. In the next shot, his hands are back up in front of him.

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Rightful Heir - S6-E23

Continuity mistake: In the opening scene, Riker's rank pips are diagonal on his collar. Then in Worf's quarters, the pips are level as they should be.

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The Neutral Zone - S1-E26

Continuity mistake: When the technician goes to revive Claire, in the long shot, her eyes open. In the close up, she "comes to" again, opening her eyes.

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Shades of Gray - S2-E22

Continuity mistake: After Pulaski examines Riker's leg, and readies to beam up, he leans to the right to get up. In the wide shot, he does it again.

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Conspiracy - S1-E25

Continuity mistake: After leaving the table in headquarters, Picard meets Riker at the door. In the far shots, Picard has his back to the table. In the close up, his left shoulder is towards the table.

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The Royale - S2-E12

Continuity mistake: As the Texan follows the dice on Data's last throw, his glasses are on. As he complains about losing his bet, his glasses are suddenly missing.

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Pen Pals - S2-E15

Continuity mistake: As Picard and Troi enter the holodeck, the horse Picard ordered is outfitted with the saddle and tack requested. When they get to the horse, the saddle is on the post the horse is tied to.

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The Arsenal of Freedom - S1-E21

Continuity mistake: As the Enterprise is attacked, the registry number is reversed.

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The Arsenal of Freedom - S1-E21

Continuity mistake: After Geordi separates the ship, the saucer was well away from the star drive section, and they're at impulse power. When the star drive section goes to turn around, it is at warp speed, and it is a re-use of the high warp separation sequence from Episode One "Encounter at Farpoint."

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The Pegasus - S7-E12

Continuity mistake: In the opening log entry of the first episode, Picard says that "I have been informed that a highly experienced man, one Commander William Riker..." He sounds as though he has been assigned a First Officer without knowing him. However, in this episode he tells Pressman that he read Riker's file, and wanted him, based on Riker's adamant refusal to obey an order that went against his safety protocol.

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Evolution - S3-E1

Continuity mistake: In the processor room, the magnifier is centered on Data's fingers toward the palm, but the close up shows it was centered on the finger tip.

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Evolution - S3-E1

Continuity mistake: In the opening sequence, the ship is positioned so that Shuttle Bay Two is aimed at the phenomena. But a moment later, the ship is facing into the stellar material.

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Samaritan Snare - S2-E17

Continuity mistake: As La Forge prepares to transport the Pakled shoots him. He reacts, and a second later reacts again.

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Q Who? - S2-E16

Continuity mistake: When Picard first looks around Ten Forward, there's nothing on the bar. When Guinan pops up, there's suddenly two glasses that are about two feet apart. When Picard sits at the bar, the glasses are now six to eight inches apart.

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Pen Pals - S2-E15

Continuity mistake: As the ship fires the torpedoes, the familiar registry number on the underside of the saucer is completely missing.

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Conspiracy - S1-E25

Continuity mistake: As the ship enters Sector 63, there's a shot of the Conn and Ops positions and the screen. Geordi is in the right chair, the left is empty. Data is nowhere on the bridge, but when as Picard walks forward, Data's arm is suddenly in position.

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Datalore - S1-E13

Continuity mistake: As Lore opens a channel, there's a blinking red light over the key he uses that disappears after the angle change.

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Encounter at Farpoint (2) - S1-E2

Continuity mistake: The "loose rock" Wesley falls from didn't move at all the way it did with Riker.

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Encounter at Farpoint (1) - S1-E1

Continuity mistake: As Riker looks at the wooded scene on the holodeck, the water is flat calm, but when the camera looks at him, the water is noticeably more agitated before he gets to the rocks.

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