Prince Edward: [To a TV screen] Magic Mirror, tell me where she is!
TV Reporter: Reporting from 116th and Broadway.
Prince Edward: 116th and Broadway. Thank you mirror!
Disney Princess sightings: 1) When Giselle comes back to see Morgan before the ball, Morgan runs up and gives her a hug. As she is running we see a small statue of Belle (from Beauty and the Beast) on the mantle behind her. 2) When Giselle is telling the story of Little Red Riding Hood to Morgan if you look in the back corner of the room there is a Cinderella book on a shelf. 3)Before the shopping spree when Morgan says "I have something better than a Fairy Godmother" we see a large stuffed Belle doll in the corner behind her. See more...
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Continuity: When Giselle opens the window in Robert's apartment, in the exterior shot, to sing for furry cleaning help, there is a set of three windows to her right, with a balcony. Odd thing is, in the interior shots the window she sang from is to the left of the couch, but to the right of the couch there are three French doors, not windows, that open to the balcony.
Visible crew/equipment: At Robert's apartment, when he and Morgan stand by the window just as Edward takes Giselle's hands and later kneels, the actors' two T-marks are visible. The pink marker was for Giselle in the previous shots, and Robert and Morgan stand behind the orange marker. (Only visible on fullscreen DVD.)
Other: In his search of Giselle, when Edward knocks on doors 209 (hissing cat), 405 (barking dog), and 714 (strange guy), the funny thing is that in all three close-ups the three door jambs/trim have the same paint glob markings. The actual doors were changed, but the jamb/trim remained the same for all three shots. (Only visible on widescreen DVD.)
Continuity: During the cleanup, when Giselle opens the center French doors and stands on the balcony to sing, the window she sang from earlier is directly beside the balcony, to the right. The problem here is, in the interior shots there is a wall that is about 7-8 ft wide, between the French doors and window, where the couch is.
Continuity: When Giselle tosses the sword and the tip catches Robert's sleeve below the cuff, in the following shots the position of its point through the sleeve keeps differing. Then, after Robert loses his grip and Giselle breaks his fall, as they both start to slide Robert's sleeve is intact, but in the next shot the entire sleeve suddenly disappears.
Continuity: As Robert drops from the bent spike, he hits the roof and both he and Amy are sliding down the side of it. In the shot viewing from above Robert can be seen reaching some kind of ledge on the roof, while Amy is 1-2 meters above him, also sliding towards the ledge. In the next two shoots (1st from the side, 2nd from below of them) both of them are still sliding down the roof with the ledge no where to be seen.
Continuity: During her first morning at Robert's apartment, Giselle has made a gown out of the living room draperies, but the remaining drapes on the windows are a very faded turquoise floral and the color of Giselle's dress material is a bright turquoise floral, which is actually more similar in color to the lamp on the table.
Continuity: The argument at Churchill Hairline and Smith LLP office about the Baseball card between the married couple, at the near end of the scene when Ryan is about to leave, the lady says "Let me think" while her hand is resting on her chin. When the camera angle changes her hand is oddly placed on the table.