Continuity: Before the telephone melts the label of the bottle keeps moving around.

Continuity: At the hotel in the beginning during the rainstorm, you can see a gap on the road of where rain isn't falling as well as where it stops in the distance. Once Mike's truck comes to a stop, the camera angle changes and the "rain" gap is gone.

Continuity: When Mike goes to the window to call for help, his doppelganger across the street is mimicking Mike's every move. After waving their arms in mirror-image synchronicity, Mike leans to his right slowly, and so does the doppelganger.but it should have leaned to it's own left to mirror Mike's movement. All its other movements are exact mirror images.

Continuity: Mike enters the hotel and a woman in the back, sitting next to the woman with the pram, disappears between shots.

Continuity: Mike fixes the boat painting, his hair and face are dry. He turns around and sits down and now he is all sweaty and with messy hair.

Continuity: When Mike reaches the phone and hears the operator asking if he is checking out, the phone on the table swaps from facing down to up between shots.

Continuity: When rain starts to pour in the frozen room, Mike's positions swaps from next to the television to 3 meters to the right in half a second.

Continuity: When frozen Mike opens the laptop the lamp behind keeps moving around between shots.

Continuity: Mike scrapes snow away from the weather control but leaves no marks on the ice. Half a second later, from a wider angle, there's two big spots with no ice.

Continuity: Mike unplugs the radio and knocks the bottle from the table. Then he picks up the phone and says "I didn't order no sandwich", and the bottle reappears on the table.

Continuity: When Mike arrives at the Dolphin a chubby man with a blue shirt passing by the main door disappears between shots.

Continuity: In the final scene, the plastic bag moves from being perpendicular to the laptop to parallel and close to it, between shots.

Continuity: The amount of snow on Mike's forehead when crouching on the floor, increases and diminishes between shots in a matter of seconds.

Continuity: After knocking down the stuff from the fireplace, Mike is leaning against a wall, next to a knocked down lamp. The position of the lamps keeps changing all the time depending on the angle.

Continuity: When Mike falls from the ceiling and breaks the table, the damages differ dramatically from the first shot to the next one half a second later.

Continuity: When Mike steps off the elevator, he is between the elevator doors and a dark statue in the middle of the hallway. The statue is seen behind him, slightly to our right. When the elevator doors close, Mike's location is different as he begins to walk down the hall. Relevant to the earlier shot, he is much further to our right and farther from the elevator doors, as now has to walk around and past the statue he was originally already past.

Continuity: When frozen Mike crouches towards the laptop he takes the blanket off of him. In the next angle the blanket is again on his back.

Continuity: When Mike is cleaning his injured hand, the faucet bursts and blood splatters all over the sink. Depending on the angle the sink appears dirty or spotless.

Continuity: While Mike is signing books, a fat guy bends over next to him. Angle keeps swapping in a matter of seconds from front to back angles and he's always there, except for a moment from the back when the guy disappears, only to appear again in the front angle.

Continuity: The cognac bottle magically refills itself after frozen Mike chats with his wife.